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they feared。  〃Are you warm?〃 writes Marceline Valmore to her child。

〃You have so little to wearare you really warm?  Oh; take care of

mecover me well。〃  Elsewhere she says; 〃You are an insolent child

to think of work。  Nurse your health; and mine。  Let us live like

fools〃; whereby she meant that she should work with her own fervent

brain for both; and take the while her rest in Ondine。  If this

living and unshortened love was sad; it must be owned that so; too;

was the story。  Eugenie and Maurice de Guerin were both to die soon;

and Marceline was to lose this daughter and another。



But set free from the condition and occasion of pain and sorrow;

this life without boundaries which mothers have undergone seems to

suggest and to portend what the progressive charity of generations

may beand is; in fact; though the continuity does not always

appearin the course of the world。  If a love and life without

boundaries go down from a mother into her child; and from that child

into her children again; then incalculable; intricate; universal;

and eternal are the unions that seemand only seemso to transcend

the usual experience。  The love of such a mother passes unchanged

out of her own sight。  It drops down ages; but why should it alter?

What in her daughter should she make so much her own as that

daughter's love for her daughter in turn?  There are no lapses。



Marceline Valmore; married to an actor who seems to have 〃created

the classic genre〃 in vain; found the sons and daughters of other

women in want。  Some of her rich friends; she avers; seem to think

that the sadness of her poems is a habita matter of metre and

rhyme; or; at most; that it is 〃temperament。〃  But others take up

the cause of those whose woes; as she says; turned her long hair

white too soon。  Sainte…Beuve gave her his time and influence;

succoured twenty political offenders at her instance; and gave

perpetually to her poor。  〃He never has any socks;〃 said his mother;

〃he gives them all away; like Beranger。〃  〃He gives them with a

different accent;〃 added the literary Marceline。



Even when the stroller's life took her to towns she did not hate;

but lovedher own Douai; where the names of the streets made her

heart leap; and where her statue stands; and Bordeaux; which was; in

her eyes; 〃rosy with the reflected colour of its animating wine〃

she was taken away from the country of her verse。  The field and the

village had been dear to her; and her poems no longer trail and

droop; but take wing; when they come among winds; birds; bells; and

waves。  They fly with the whole volley of a summer morning。  She

loved the sun and her liberty; and the liberty of others。  It was

apparently a horror of prisons that chiefly inspired her public

efforts after certain riots at Lyons had been reduced to peace。  The

dead were free; but for the prisoners she worked; wrote; and

petitioned。  She looked at the sentinels at the gates of the Lyons

gaols with such eyes as might have provoked a shot; she thinks。



During her lifetime she very modestly took correction from her

contemporaries; for her study had hardly been enough for the whole

art of French verse。  But Sainte…Beuve; Baudelaire; and Verlaine

have praised her as one of the poets of France。  The later critics

from Verlaine onwardswill hold that she needs no pardon for

certain slight irregularities in the grouping of masculine and

feminine rhymes; for upon this liberty they themselves have largely

improved。  The old rules in their completeness seemed too much like

a prison to her。  She was set about with importunate conditionsa

caesura; a rhyme; narrow lodgings in strange towns; bankruptcies;

salaries astrayand she took only a little gentle liberty。







THE HOURS OF SLEEP







There are hours claimed by Sleep; but refused to him。  None the less

are they his by some state within the mind; which answers

rhythmically and punctually to that claim。  Awake and at work;

without drowsiness; without languor; and without gloom; the night

mind of man is yet not his day mind; he has night…powers of feeling

which are at their highest in dreams; but are night's as well as

sleep's。  The powers of the mind in dreams; which are inexplicable;

are not altogether baffled because the mind is awake; it is the hour

of their return as it is the hour of a tide's; and they do return。



In sleep they have their free way。  Night then has nothing to hamper

her influence; and she draws the emotion; the senses; and the nerves

of the sleeper。  She urges him upon those extremities of anger and

love; contempt and terror to which not only can no event of the real

day persuade him; but for which; awake; he has perhaps not even the

capacity。  This increase of capacity; which is the dream's; is

punctual to the night; even though sleep and the dream be kept at

arm's length。



The child; not asleep; but passing through the hours of sleep and

their dominions; knows that the mood of night will have its hour; he

puts off his troubled heart; and will answer it another time; in the

other state; by day。  〃I shall be able to bear this when I am grown

up〃 is not oftener in a young child's mind than 〃I shall endure to

think of it in the day…time。〃  By this he confesses the double habit

and double experience; not to be interchanged; and communicating

together only by memory and hope。



Perhaps it will be found that to work all by day or all by night is

to miss something of the powers of a complex mind。  One might

imagine the rhythmic experience of a poet; subject; like a child; to

the time; and tempering the extremities of either state by messages

of remembrance and expectancy。



Never to have had a brilliant dream; and never to have had any

delirium; would be to live too much in the day; and hardly less

would be the loss of him who had not exercised his waking thought

under the influence of the hours claimed by dreams。  And as to

choosing between day and night; or guessing whether the state of day

or dark is the truer and the more natural; he would be rash who

should make too sure。



In order to live the life of night; a watcher must not wake too

much。  That is; he should not alter so greatly the character of

night as to lose the solitude; the visible darkness; or the

quietude。  The hours of sleep are too much altered when they are

filled by lights and crowds; and Nature is cheated so; and evaded;

and her rhythm broken; as when the larks caged in populous streets

make ineffectual springs and sing daybreak songs when the London gas

is lighted。  Nature is easily deceived; and the muse; like the lark;

may be set all astray as to the hour。  You may spend the peculiar

hours of sleep amid so much noise and among so many people that you

shall not be aware of them; you may thus merely force and prolong

the day。  But to do so is not to live well both lives; it is not to

yield to the daily and nightly rise and fall and to be cradled in

the swing of change。



There surely never was a poet but was now and then rocked in such a

cradle of alternate hours。  〃It cannot be;〃 says Herbert; 〃that I am

he on whom Thy tempests fell all night。〃



It is in the hours of sleep that the mind; by some divine paradox;

has the extremest sense of light。  Almost the most shining lines in

English poetrylines that cast sunrise shadowsare those of Blake;

written confessedly from the side of night; the side of sorrow and

dreams; and those dreams the dreams of little chimney…sweepers; all

is as dark as he can make it with the 〃bags of soot〃; but the boy's

dream of the green plain and the river is too bright for day。  So;

indeed; is another brightness of Blake's; which is also; in his

poem; a child's dream; and was certainly conceived by him in the

hours of sleep; in which he woke to write the Songs of Innocence:…





O what land is the land of dreams?

What are its mountains; and what are its streams?

O father; I saw my mother there;

Among the lilies by waters fair。

Among the lambs clothed in white;

She walk'd with her Thomas in sweet delight。





To none but the hours claimed and inspired by sleep; held awake by

sufferance of sleep; belongs such a vision。



Corot also took the brilliant opportunity of the hours of sleep。  In

some landscapes of his early manner he has the very light of dreams;

and it was surely because he went abroad at the time when sleep and

dreams claimed his eyes that he was able to see so spiritual an

illumination。  Summer is precious for a painter; chiefly because in

summer so many of the hours of sleep are also hours of light。  He

carries the mood of man's night out into the sunshineCorot did so…

…and lives the life of night; in all its genius; in the presence of

a risen sun。  In the only time when the heart can dream of light; in

the night of visions; with the rhythmic power of night at its dark

noon in his mind; his eyes see the soaring of the ac

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