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heartbreak house-第9节

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the fools' paradise in which the theatre formerly traded; and
thrust upon the sternest realities and necessities until we have
lost both faith in and patience with the theatrical pretences
that had no root either in reality or necessity; second; by the
startling change made by the war in the distribution of income。
It seems only the other day that a millionaire was a man with
?0;000 a year。 To…day; when he has paid his income tax and super
tax; and insured his life for the amount of his death duties; he
is lucky if his net income is 10;000 pounds though his nominal
property remains the same。 And this is the result of a Budget
which is called 〃a respite for the rich。〃 At the other end of the
scale millions of persons have had regular incomes for the first
time in their lives; and their men have been regularly clothed;
fed; lodged; and taught to make up their minds that certain
things have to be done; also for the first time in their lives。
Hundreds of thousands of women have been taken out of their
domestic cages and tasted both discipline and independence。 The
thoughtless and snobbish middle classes have been pulled up short
by the very unpleasant experience of being ruined to an
unprecedented extent。 We have all had a tremendous jolt; and
although the widespread notion that the shock of the war would
automatically make a new heaven and a new earth; and that the dog
would never go back to his vomit nor the sow to her wallowing in
the mire; is already seen to be a delusion; yet we are far more
conscious of our condition than we were; and far less disposed to
submit to it。 Revolution; lately only a sensational chapter in
history or a demagogic claptrap; is now a possibility so imminent
that hardly by trying to suppress it in other countries by arms
and defamation; and calling the process anti…Bolshevism; can our
Government stave it off at home。

Perhaps the most tragic figure of the day is the American
President who was once a historian。 In those days it became his
task to tell us how; after that great war in America which was
more clearly than any other war of our time a war for an idea;
the conquerors; confronted with a heroic task of reconstruction;
turned recreant; and spent fifteen years in abusing their victory
under cover of pretending to accomplish the task they were doing
what they could to make impossible。 Alas! Hegel was right when he
said that we learn from history that men never learn anything
from history。 With what anguish of mind the President sees that
we; the new conquerors; forgetting everything we professed to
fight for; are sitting down with watering mouths to a good square
meal of ten years revenge upon and humiliation of our prostrate
foe; can only be guessed by those who know; as he does; how
hopeless is remonstrance; and how happy Lincoln was in perishing
from the earth before his inspired messages became scraps of
paper。 He knows well that from the Peace Conference will come; in
spite of his utmost; no edict on which he will be able; like
Lincoln; to invoke 〃the considerate judgment of mankind: and the
gracious favor of Almighty God。〃 He led his people to destroy the
militarism of Zabern; and the army they rescued is busy in
Cologne imprisoning every German who does not salute a British
officer; whilst the government at home; asked whether it
approves; replies that it does not propose even to discontinue
this Zabernism when the Peace is concluded; but in effect looks
forward to making Germans salute British officers until the end
of the world。 That is what war makes of men and women。 It will
wear off; and the worst it threatens is already proving
impracticable; but before the humble and contrite heart ceases to
be despised; the President and I; being of the same age; will be
dotards。 In the meantime there is; for him; another history to
write; for me; another comedy to stage。 Perhaps; after all; that
is what wars are for; and what historians and playwrights are
for。 If men will not learn until their lessons are written in
blood; why; blood they must have; their own for preference。



The Ephemeral Thrones and the Eternal Theatre

To the theatre it will not matter。 Whatever Bastilles fall; the
theatre will stand。 Apostolic Hapsburg has collapsed; All Highest
Hohenzollern languishes in Holland; threatened with trial on a
capital charge of fighting for his country against England;
Imperial Romanoff; said to have perished miserably by a more
summary method of murder; is perhaps alive or perhaps dead:
nobody cares more than if he had been a peasant; the lord of
Hellas is level with his lackeys in republican Switzerland; Prime
Ministers and Commanders…in…Chief have passed from a brief glory
as Solons and Caesars into failure and obscurity as closely on
one another's heels as the descendants of Banquo; but Euripides
and Aristophanes; Shakespeare and Moliere; Goethe and Ibsen
remain fixed in their everlasting seats。



How War muzzles the Dramatic Poet

As for myself; why; it may be asked; did I not write two plays
about the war instead of two pamphlets on it? The answer is
significant。 You cannot make war on war and on your neighbor at
the same time。 War cannot bear the terrible castigation of
comedy; the ruthless light of laughter that glares on the stage。
When men are heroically dying for their country; it is not the
time to show their lovers and wives and fathers and mothers how
they are being sacrificed to the blunders of boobies; the
cupidity of capitalists; the ambition of conquerors; the
electioneering of demagogues; the Pharisaism of patriots; the
lusts and lies and rancors and bloodthirsts that love war because
it opens their prison doors; and sets them in the thrones of
power and popularity。 For unless these things are mercilessly
exposed they will hide under the mantle of the ideals on the
stage just as they do in real life。

And though there may be better things to reveal; it may not; and
indeed cannot; be militarily expedient to reveal them whilst the
issue is still in the balance。 Truth telling is not compatible
with the defence of the realm。 We are just now reading the
revelations of our generals and admirals; unmuzzled at last by
the armistice。 During the war; General A; in his moving
despatches from the field; told how General B had covered himself
with deathless glory in such and such a battle。 He now tells us
that General B came within an ace of losing us the war by
disobeying his orders on that occasion; and fighting instead of
running away as he ought to have done。 An excellent subject for
comedy now that the war is over; no doubt; but if General A had
let this out at the time; what would have been the effect on
General B's soldiers? And had the stage made known what the Prime
Minister and the Secretary of State for War who overruled General
A thought of him; and what he thought of them; as now revealed in
raging controversy; what would have been the effect on the
nation? That is why comedy; though sorely tempted; had to be
loyally silent; for the art of the dramatic poet knows no
patriotism; recognizes no obligation but truth to natural
history; cares not whether Germany or England perish; is ready to
cry with Brynhild; 〃Lass'uns verderben; lachend zu grunde geh'n〃
sooner than deceive or be deceived; and thus becomes in time of
war a greater military danger than poison; steel; or
trinitrotoluene。 That is why I had to withhold Heartbreak House
from the footlights during the war; for the Germans might on any
night have turned the last act from play into earnest; and even
then might not have waited for their cues。

June; 1919。



HEARTBREAK HOUSE

ACT I

The hilly country in the middle of the north edge of Sussex;
looking very pleasant on a fine evening at the end of September;
is seen through the windows of a room which has been built so as
to resemble the after part of an old…fashioned high…pooped ship;
with a stern gallery; for the windows are ship built with heavy
timbering; and run right across the room as continuously as the
stability of the wall allows。 A row of lockers under the windows
provides an unupholstered windowseat interrupted by twin glass
doors; respectively halfway between the stern post and the sides。
Another door strains the illusion a little by being apparently in
the ship's port side; and yet leading; not to the open sea; but
to the entrance hall of the house。 Between this door and the
stern gallery are bookshelves。 There are electric light switches
beside the door leading to the hall and the glass doors in the
stern gallery。 Against the starboard wall is a carpenter's bench。
The vice has a board in its jaws; and the floor is littered with
shavings; overflowing from a waste…paper basket。 A couple of
planes and a centrebit are on the bench。 In the same wall;
between the bench and the windows; is a narrow doorway with a
half door; above which a glimpse of the room beyond shows that it
is a shelved pantry with bottles and kitchen crockery。

On the starboard side; but close to the middle; is a plain oak
drawing…table with drawing…board; T…square; straightedges; set
squares; mathematical instruments; saucers of water color

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