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Heartbreak House

by George Bernard Shaw






A FANTASIA IN THE RUSSIAN MANNER ON ENGLISH THEMES





HEARTBREAK HOUSE AND HORSEBACK HALL


Where Heartbreak House Stands

Heartbreak House is not merely the name of the play which follows
this preface。 It is cultured; leisured Europe before the war。
When the play was begun not a shot had been fired; and only the
professional diplomatists and the very few amateurs whose hobby
is foreign policy even knew that the guns were loaded。 A Russian
playwright; Tchekov; had produced four fascinating dramatic
studies of Heartbreak House; of which three; The Cherry Orchard;
Uncle Vanya; and The Seagull; had been performed in England。
Tolstoy; in his Fruits of Enlightenment; had shown us through it
in his most ferociously contemptuous manner。 Tolstoy did not
waste any sympathy on it: it was to him the house in which Europe
was stifling its soul; and he knew that our utter enervation and
futilization in that overheated drawingroom atmosphere was
delivering the world over to the control of ignorant and soulless
cunning and energy; with the frightful consequences which have
now overtaken it。 Tolstoy was no pessimist: he was not disposed
to leave the house standing if he could bring it down about the
ears of its pretty and amiable voluptuaries; and he wielded the
pickaxe with a will。 He treated the case of the inmates as one of
opium poisoning; to be dealt with by seizing the patients roughly
and exercising them violently until they were broad awake。
Tchekov; more of a fatalist; had no faith in these charming
people extricating themselves。 They would; he thought; be sold up
and sent adrift by the bailiffs; and he therefore had no scruple
in exploiting and even flattering their charm。



The Inhabitants

Tchekov's plays; being less lucrative than swings and
roundabouts; got no further in England; where theatres are only
ordinary commercial affairs; than a couple of performances by the
Stage Society。 We stared and said; 〃How Russian!〃 They did not
strike me in that way。 Just as Ibsen's intensely Norwegian plays
exactly fitted every middle and professional class suburb in
Europe; these intensely Russian plays fitted all the country
houses in Europe in which the pleasures of music; art;
literature; and the theatre had supplanted hunting; shooting;
fishing; flirting; eating; and drinking。 The same nice people;
the same utter futility。 The nice people could read; some of them
could write; and they were the sole repositories of culture who
had social opportunities of contact with our politicians;
administrators; and newspaper proprietors; or any chance of
sharing or influencing their activities。 But they shrank from
that contact。 They hated politics。 They did not wish to realize
Utopia for the common people: they wished to realize their
favorite fictions and poems in their own lives; and; when they
could; they lived without scruple on incomes which they did
nothing to earn。 The women in their girlhood made themselves look
like variety theatre stars; and settled down later into the types
of beauty imagined by the previous generation of painters。 They
took the only part of our society in which there was leisure for
high culture; and made it an economic; political and; as far as
practicable; a moral vacuum; and as Nature; abhorring the vacuum;
immediately filled it up with sex and with all sorts of refined
pleasures; it was a very delightful place at its best for moments
of relaxation。 In other moments it was disastrous。 For prime
ministers and their like; it was a veritable Capua。



Horseback Hall

But where were our front benchers to nest if not here? The
alternative to Heartbreak House was Horseback Hall; consisting of
a prison for horses with an annex for the ladies and gentlemen
who rode them; hunted them; talked about them; bought them and
sold them; and gave nine…tenths of their lives to them; dividing
the other tenth between charity; churchgoing (as a substitute for
religion); and conservative electioneering (as a substitute for
politics)。 It is true that the two establishments got mixed at
the edges。 Exiles from the library; the music room; and the
picture gallery would be found languishing among the stables;
miserably discontented; and hardy horsewomen who slept at the
first chord of Schumann were born; horribly misplaced; into the
garden of Klingsor; but sometimes one came upon horsebreakers and
heartbreakers who could make the best of both worlds。 As a rule;
however; the two were apart and knew little of one another; so
the prime minister folk had to choose between barbarism and
Capua。 And of the two atmospheres it is hard to say which was the
more fatal to statesmanship。


Revolution on the Shelf

Heartbreak House was quite familiar with revolutionary ideas on
paper。 It aimed at being advanced and freethinking; and hardly
ever went to church or kept the Sabbath except by a little extra
fun at weekends。 When you spent a Friday to Tuesday in it you
found on the shelf in your bedroom not only the books of poets
and novelists; but of revolutionary biologists and even
economists。 Without at least a few plays by myself and Mr
Granville Barker; and a few stories by Mr H。 G。 Wells; Mr Arnold
Bennett; and Mr John Galsworthy; the house would have been out of
the movement。 You would find Blake among the poets; and beside
him Bergson; Butler; Scott Haldane; the poems of Meredith and
Thomas Hardy; and; generally speaking; all the literary
implements for forming the mind of the perfect modern Socialist
and Creative Evolutionist。 It was a curious experience to spend
Sunday in dipping into these books; and the Monday morning to
read in the daily paper that the country had just been brought to
the verge of anarchy because a new Home Secretary or chief of
police without an idea in his head that his great…grandmother
might not have had to apologize for; had refused to 〃recognize〃
some powerful Trade Union; just as a gondola might refuse to
recognize a 20;000…ton liner。

In short; power and culture were in separate compartments。 The
barbarians were not only literally in the saddle; but on the
front bench in the House of commons; with nobody to correct their
incredible ignorance of modern thought and political science but
upstarts from the counting…house; who had spent their lives
furnishing their pockets instead of their minds。 Both; however;
were practised in dealing with money and with men; as far as
acquiring the one and exploiting the other went; and although
this is as undesirable an expertness as that of the medieval
robber baron; it qualifies men to keep an estate or a business
going in its old routine without necessarily understanding it;
just as Bond Street tradesmen and domestic servants keep
fashionable society going without any instruction in sociology。



The Cherry Orchard

The Heartbreak people neither could nor would do anything of the
sort。 With their heads as full of the Anticipations of Mr H。 G。
Wells as the heads of our actual rulers were empty even of the
anticipations of Erasmus or Sir Thomas More; they refused the
drudgery of politics; and would have made a very poor job of it
if they had changed their minds。 Not that they would have been
allowed to meddle anyhow; as only through the accident of being a
hereditary peer can anyone in these days of Votes for Everybody
get into parliament if handicapped by a serious modern cultural
equipment; but if they had; their habit of living in a vacuum
would have left them helpless end ineffective in public affairs。
Even in private life they were often helpless wasters of their
inheritance; like the people in Tchekov's Cherry Orchard。 Even
those who lived within their incomes were really kept going by
their solicitors and agents; being unable to manage an estate or
run a business without continual prompting from those who have to
learn how to do such things or starve。

》From what is called Democracy no corrective to this state of
things could be hoped。 It is said that every people has the
Government it deserves。 It is more to the point that every
Government has the electorate it deserves; for the orators of the
front bench can edify or debauch an ignorant electorate at will。
Thus our democracy moves in a vicious circle of reciprocal
worthiness and unworthiness。



Nature's Long Credits

Nature's way of dealing with unhealthy conditions is
unfortunately not one that compels us to conduct a solvent
hygiene on a cash basis。 She demoralizes us with long credits and
reckless overdrafts; and then pulls us up cruelly with
catastrophic bankruptcies。 Take; for example; common domestic
sanitation。 A whole city generation may neglect it utterly and
scandalously; if not with absolute impunity; yet without any evil
consequences that anyone thinks of tracing to it。 In a hospital
two generations of medical students way tolerate dirt and
carelessness; and then go out into general practice to spread the
doctrine that fresh air is a fad; and sanitation an imposture set
up to make profits for plumbers。 Then suddenly Nature takes her
revenge。 She strikes at the city with a pestilence and at

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