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Stories by Modern American Authors


Edited by Julian Hawthorne








CONTENTS:



F。 MARION CRAWFORD (1854…)

By the Waters of Paradise





MARY E。 WILKINS FREEMAN (1862…)

The Shadows on the Wall





MELVILLE D。 POST (1871…)

The Corpus Delicti





AMBROSE BIERCE (1842…)

An Heiress from Redhorse

The Man and the Snake





EDGAR ALLAN POE (1809…49)

The Oblong Box

The Gold…Bug





WASHINGTON IRVING (1783…1859)

Wolfert Webber; or Golden Dreams

Adventure of the Black Fisherman





CHARLES BROCKDEN BROWN (1771…1810)

Wieland's Madness





FITZJAMES O'BRIEN (1828…1862)

The Golden Ingot

My Wife's Tempter





NATHANIEL HAWTHORNE (1804…1864)

The Minister's Black Veil





ANONYMOUS

Horror: A True Tale







THE MOST INTERESTING STORIES OF ALL NATIONS



Edited by Julian Hawthorne





AMERICAN







Table of Contents





INTRODUCTION BY JULIAN HAWTHORNE



〃Riddle Stories〃





F。 MARION CRAWFORD (1854…)

By the Waters of Paradise





MARY E。 WILKINS FREEMAN (1862…)

The Shadows on the Wall





MELVILLE D。 POST (1871…)

The Corpus Delicti





AMBROSE BIERCE (1842…)

An Heiress from Redhorse

The Man and the Snake





EDGAR ALLAN POE (1809…49)

The Oblong Box

The Gold…Bug





WASHINGTON IRVING (1783…1859)

Wolfert Webber; or Golden Dreams

Adventure of the Black Fisherman





CHARLES BROCKDEN BROWN (1771…1810)

Wieland's Madness





FITZJAMES O'BRIEN (1828…1862)

The Golden Ingot

My Wife's Tempter





NATHANIEL HAWTHORNE (1804…1864)

The Minister's Black Veil





ANONYMOUS

Horror: A True Tale







〃Riddle Stories〃



Introduction by Julian Hawthorne





When Poe wrote his immortal Dupin tales; the name 〃Detective〃

stories had not been invented; the detective of fiction not having

been as yet discovered。  And the title is still something of a

misnomer; for many narratives involving a puzzle of some sort;

though belonging to the category which I wish to discuss; are

handled by the writer without expert detective aid。  Sometimes the

puzzle solves itself through operation of circumstance; sometimes

somebody who professes no special detective skill happens upon the

secret of its mystery; once in a while some venturesome genius has

the courage to leave his enigma unexplained。  But ever since

Gaboriau created his Lecoq; the transcendent detective has been in

favor; and Conan Doyle's famous gentleman analyst has given him a

fresh lease of life; and reanimated the stage by reverting to the

method of Poe。  Sherlock Holmes is Dupin redivivus; and mutatus

mutandis; personally he is a more stirring and engaging companion;

but so far as kinship to probabilities or even possibilities is

concerned; perhaps the older version of him is the more

presentable。  But in this age of marvels we seem less difficult to

suit in this respect than our forefathers were。



The fact is; meanwhile; that; in the riddle story; the detective

was an afterthought; or; more accurately; a deus ex machina to make

the story go。  The riddle had to be unriddled; and who could do it

so naturally and readily as a detective?  The detective; as Poe saw

him; was a means to this end; and it was only afterwards that

writers perceived his availability as a character。  Lecoq

accordingly becomes a figure in fiction; and Sherlock; while he was

as yet a novelty; was nearly as attractive as the complications in

which he involved himself。  Riddle…story writers in general;

however; encounter the obvious embarrassment that their detective

is obliged to lavish so much attention on the professional services

which the exigencies of the tale demand of him; that he has very

little leisure to expound his own personal equationthe rather

since the attitude of peering into a millstone is not; of itself;

conducive to elucidations of oneself; the professional endowment

obscures all the others。  We ordinarily find; therefore; our author

dismissing the individuality of his detective with a few strong

black…chalk outlines; and devoting his main labor upon what he

feels the reader will chiefly occupy his own ingenuity with;

namely; the elaboration of the riddle itself。  Reader and writer

sit down to a game; as it were; with the odds; of course;

altogether on the latter's side;apart from the fact that a writer

sometimes permits himself a little cheating。  It more often happens

that the detective appears to be in the writer's pay; and aids the

deception by leading the reader off on false scents。  Be that as it

may; the professional sleuth is in nine cases out of ten a dummy by

malice prepense; and it might be plausibly argued that; in the

interests of pure art; that is what he ought to be。  But genius

always finds a way that is better than the rules; and I think it

will be found that the very best riddle stories contrive to drive

character and riddle side by side; and to make each somehow enhance

the effect of the other。The intention of the above paragraph will

be more precisely conveyed if I include under the name of detective

not only the man from the central office; but also anybody whom the

writer may; for ends of his own; consider better qualified for that

function。  The latter is a professional detective so far as the

exigencies of the tale are concerned; and what becomes of him after

that nobody need care;there is no longer anything to prevent his

becoming; in his own right; the most fascinating of mankind。



But in addition to the dummyship of the detective; or to the cases

in which the mere slip of circumstance takes his place; there is

another reason against narrowing our conception of the riddle story

to the degree which the alternative appellation would imply。  And

that is; that it would exclude not a few of the most captivating

riddle stories in existence; for in De Quincey's 〃Avenger;〃 for

example; the interest is not in the unraveling of the web; but in

the weaving of it。  The same remark applies to Bulwer's 〃Strange

Story〃; it is the strangeness that is the thing。  There is; in

short; an inalienable charm in the mere contemplation of mystery

and the hazard of fortunes; and it would be a pity to shut them out

from our consideration only because there is no second…sighted

conjurer on hand to turn them into plain matter of fact。



Yet we must not be too liberal; and a ghost story can be brought

into our charmed and charming circle only if we have made up our

minds to believe in the ghosts; otherwise their introduction would

not be a square deal。  It would not be fair; in other words; to

propose a conundrum on a basis of ostensible materialism; and then;

when no other key would fit; to palm off a disembodied spirit on

us。  Tell me beforehand that your scenario is to include both

worlds; and I have no objection to make; I simply attune my mind to

the more extensive scope。  But I rebel at an unheralded ghostland;

and declare frankly that your tale is incredible。  And I must

confess that I would as lief have ghosts kept out altogether; their

stories make a very good library in themselves; and have no need to

tag themselves on to what is really another department of fiction。

Nevertheless; when a ghost story is told with the consummate art of

a Miss Wilkins; and of one or two others on our list; consistency

in this regard ceases to be a jewel; art proves irresistible。  As

for adventure stories; there is a fringe of them that comes under

the riddle…story head; but for the most part the riddle story

begins after the adventures have finished。  We are to contemplate a

condition; not to watch the events that ultimate in it。  Our

detective; or anyone else; may of course meet with haps and mishaps

on his way to the solution of his puzzle; but an astute writer will

not color such incidents too vividly; lest he risk forfeiting our

preoccupation with the problem that we came forth for to study。  In

a word; One thing at a time!



The foregoing disquisition may seem uncalled for by such rigid

moralists as have made up their minds not to regard detective; or

riddle stories; as any part of respectable literature at all。  With

that sect; I announce at the outset that I am entirely out of

sympathy。  It is not needed to compare 〃The Gold Bug〃 with

〃Paradise Lost〃; nobody denies the superior literary stature of the

latter; although; as the Oxford Senior Wrangler objected; 〃What

does it prove?〃  But I appeal to Emerson; who; in his poem of 〃The

Mountain and the Squirrel;〃 states the nub of the argument; with

incomparable felicity; as follows:you will recall that the two

protagonists had a difference; originating in the fact that the

former called the latter 〃Little Prig。〃  Bun made a very sprightly

retort; summing up to this effect:





     〃Talents differ; all is well and wisely put;

      If I cannot carry forests on m

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