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His old mother had risen察had seemed about to embrace him fondly when he knelt at her feet察but then had drawn herself sternly up and pointed commandingly to the door。 The prodigal察anguished anew at this repulse察fell weakly back upon the couch with a cry of despair。 The little sister placed a pillow under his head and ran to plead with the mother。 A long time she remained obdurate察but at last relented。 Then she察too察came to fall upon her knees before the wreck who had returned to her。

Not many rehearsals were required for this scene察difficult though it was。 Merton Gill had seized his opportunity。 His study of agony expressions in the film course was here rewarded。 The scene closed with the departure of the little sister。 Resolutely察showing the light of some fierce determination察she put on hat and wraps察spoke words of promise to the stricken mother and son察and darted out into the night。 The snow whirled in as she opened the door。

;Good work察─said Baird to Merton。 ;If you don't hear from that little bit you can call me a Swede。;

Some later scenes were shot in the same little home察which seemed to bring the drama to a close。 While the returned prodigal lay on the couch察nursed by the forgiving mother察the sister returned in company with the New York society girl who seemed aghast at the wreck of him she had once wooed。 Slowly she approached the couch of the sufferer察tenderly she reached down to enfold him。 In some manner察which Merton could not divine察the lovers had been reunited。

The New York girl was followed by her fatherit would seem they had both come from the hoteland the father察after giving an order for more of Mother's grape juice察examined the son's patents。 Two of them he exclaimed with delight over察and at once paid the boy a huge roll of bills for a tenth interest in them。

Now came the grasping man who held the mortgage and who had counted upon driving the family into the streets this stormy Christmas eve。 He was overwhelmed with confusion when his money was paid from an ample hoard察and slunk察shame´faced察out into the night。 It could be seen that Christmas day would dawn bright and happy for the little group。

To Merton's eye there was but one discord in this finale。 He had known that the cross´eyed man was playing the part of hotel clerk at the neighbouring resort察but he had watched few scenes in which the poor fellow acted察and he surely had not known that this man was the little sister's future husband。 It was with real dismay that he averted his gaze from the embrace that occurred between these two察as the clerk entered the now happy home。

One other detail had puzzled him。 This was the bundle to which he had clung as he blindly plunged through the storm。 He had still fiercely clutched it after entering the little room察clasping it to his breast even as he sank at his mother's feet in physical exhaustion and mental anguish察to implore her forgiveness。 Later the bundle was placed beside him as he lay察pale and wan察on the couch。

He supposed this bundle to contain one of his patents察a question to Baird when the scene was over proved him to be correct。 ;Sure察─said Baird察 that's one of your patents。; Yet he still wished the little sister had not been made to marry the cross´eyed hotel clerk。

And another detail lingered in his memory to bother him。 The actress playing his mother was wont to smoke cigarettes when not engaged in acting。 He had long known it。 But he now seemed to recall察in that touching last scene of reconciliation察that she had smoked one while the camera actually turned。 He hoped this was not so。 It would mean a mistake。 And Baird would be justly annoyed by the old mother's carelessness。




CHAPTER XVI

OF SARAH NEVADA MONTAGUE


They were six long weeks doing the new piece。 The weeks seemed long to Merton Gill because there were so many hours察even days察of enforced idleness。 To pass an entire day察his face stiff with the make´up察without once confronting a camera in action察seemed to him a waste of his own time and a waste of Baird's money。 Yet this appeared to be one of the unavoidable penalties incurred by those who engaged in the art of photodrama。 Time was needed to create that world of painted shadows察so swift察so nicely consecutive when revealed察but so incoherent察so brokenly inconsequent察so meaningless in the recording。

How little an audience could suspect the vexatious delays ensuing between察say察a knock at a door and the admission of a visitor to a neat little home where a fond old mother was trying to pay off a mortgage with the help of her little ones。 How could an audience divine that a wait of two hours had been caused because a polished city villain had forgotten his spats拭Or that other long waits had been caused by other forgotten trifles察while an expensive company of artists lounged about in bored apathy察or smoked察gossiped察bantered

Yet no one ever seemed to express concern about these waits。 Rarely were their causes known察except by some frenzied assistant director察and he察after a little察would cease to be frenzied and fall to loafing calmly with the others。 Merton Gill's education in his chosen art was progressing。 He came to loaf with the unconcern察the vacuous boredom察the practised nonchalance察of more seasoned artists。

Sometimes when exteriors were being taken the sky would overcloud and the sun be denied them for a whole day。 The Montague girl would then ask Merton how he liked Sunny Cafeteria。 He knew this was a jesting term that would stand for sunny California察and never failed to laugh。

The girl kept rather closely by him during these periods of waiting。 She seemed to show little interest in other members of the company察and her association with them察Merton noted察was marked by a certain restraint。 With them she seemed no longer to be the girl of free ways and speech。 She might occasionally join a group of the men who indulged in athletic sports on the grass before the little farmhousefor the actors of Mr。 Baird's company would all betray acrobatic tendencies in their idle momentsand he watched one day while the simple little country sister turned a series of hand´ springs and cart´wheels that evoked sincere applause from the four New York villains who had been thus solacing their ennui。

But oftener she would sit with Merton on the back seat of one of the waiting automobiles。 She not only kept herself rather aloof from other members of the company察but she curiously seemed to bring it about that Merton himself would have little contact with them。 Especially did she seem to hover between him and the company's feminine members。 Among those impersonating guests at the hotel were several young women of rare beauty with whom he would have been not unwilling to fraternize in that easy comradeship which seemed to mark studio life。 These were far more alluring than the New York society girl who wooed him and who had secured the part solely through Baird's sympathy for her family misfortunes。

They were richly arrayed and charmingly mannered in the scenes he watched察moreover察they not too subtly betrayed a pleasant consciousness of Merton's existence。 But the Montague girl noticeably monopolized him when a better acquaintance with the beauties might have come about。 She rather brazenly seemed to be guarding him。 She was always there。

This very apparent solicitude of hers left him feeling pleasantly important察despite the social contacts it doubtless deprived him of。 He wondered if the Montague girl could be jealous察and cautiously one day察as they lolled in the motor car察he sounded her。

;Those girls in the hotel scenesI suppose they're all nice girls of good family拭─he casually observed。

;Huh拭─demanded Miss Montague察engaged with a pencil at the moment in editing her left eyebrow。 ;Oh察that bunch拭Sure察they all come from good old Southern familiesVirginia and Indiana and those places。; She tightened her lips before the little mirror she held and renewed their scarlet。 Then she spoke more seriously。 ;Sure察Kid察those girls are all right enough。 They work like dogs and do the best they can when they ain't got jobs。 I'm strong for 'em。 But then察I'm a wise old trouper。 I understand things。 You don't。 You're the real country wild rose of this piece。 It's a good thing you got me to ride herd on you。 You're far too innocent to be turned loose on a comedy lot。

;Listen察boy; She turned a sober face to him;the straight lots are fairly decent察but get this此a comedy lot is the toughest place this side of the bad one。 Any comedy lot。;

;But this isn't a comedy lot。 Mr。 Baird isn't doing comedies any more察and these people all seem to be nice people。 Of course some of the ladies smoke cigarettes;

The girl had averted her face briefly察but now turned to him again。 ;Of course that's so察Jeff is trying for the better things察but he's still using lots of his old people。 They're all right for me察but not for you。 You wouldn't last long if mother here didn't look out for you。 I'm playing your dear little sister察but I'm playing your mother察too。 If it hadn't been for me this bunch would have taught you a lot of things you'd better learn some other way。 Just for one thing察long before this you'd probably bee

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