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amities which threaten them from such causes as thunder and lightning察conflagration察blight察mildew察vermin察sterility察disease察and not least of all witchcraft。

But we naturally ask察How did it come about that benefits so great and manifold were supposed to be attained by means so simple拭In what way did people imagine that they could procure so many goods or avoid so many ills by the application of fire and smoke察of embers and ashes拭Two different explanations of the fire´festivals have been given by modern enquirers。 On the one hand it has been held that they are sun´charms or magical ceremonies intended察on the principle of imitative magic察to ensure a needful supply of sunshine for men察animals察and plants by kindling fires which mimic on earth the great source of light and heat in the sky。 This was the view of Wilhelm Mannhardt。 It may be called the solar theory。 On the other hand it has been maintained that the ceremonial fires have no necessary reference to the sun but are simply purificatory in intention察being designed to burn up and destroy all harmful influences察whether these are conceived in a personal form as witches察demons察and monsters察or in an impersonal form as a sort of pervading taint or corruption of the air。 This is the view of Dr。 Edward Westermarck and apparently of Professor Eugen Mogk。 It may be called the purificatory theory。 Obviously the two theories postulate two very different conceptions of the fire which plays the principal part in the rites。 On the one view察the fire察like sunshine in our latitude察is a genial creative power which fosters the growth of plants and the development of all that makes for health and happiness察on the other view察the fire is a fierce destructive power which blasts and consumes all the noxious elements察whether spiritual or material察that menace the life of men察of animals察and of plants。 According to the one theory the fire is a stimulant察according to the other it is a disinfectant察on the one view its virtue is positive察on the other it is negative。

Yet the two explanations察different as they are in the character which they attribute to the fire察are perhaps not wholly irreconcilable。 If we assume that the fires kindled at these festivals were primarily intended to imitate the sun's light and heat察may we not regard the purificatory and disinfecting qualities察which popular opinion certainly appears to have ascribed to them察as attributes derived directly from the purificatory and disinfecting qualities of sunshine拭In this way we might conclude that察while the imitation of sunshine in these ceremonies was primary and original察the purification attributed to them was secondary and derivative。 Such a conclusion察occupying an intermediate position between the two opposing theories and recognising an element of truth in both of them察was adopted by me in earlier editions of this work察but in the meantime Dr。 Westermarck has argued powerfully in favour of the purificatory theory alone察and I am bound to say that his arguments carry great weight察and that on a fuller review of the facts the balance of evidence seems to me to incline decidedly in his favour。 However察the case is not so clear as to justify us in dismissing the solar theory without discussion察and accordingly I propose to adduce the considerations which tell for it before proceeding to notice those which tell against it。 A theory which had the support of so learned and sagacious an investigator as W。 Mannhardt is entitled to a respectful hearing。

Chapter 63。 The Interpretation of the Fire´Festivals。

2。 The Solar Theory ofthe Fire´festivals IN AN EARLIER part of this work we saw that savages resort to charms for making sunshine察and it would be no wonder if primitive man in Europe did the same。 Indeed察when we consider the cold and cloudy climate of Europe during a great part of the year察we shall find it natural that sun´charms should have played a much more prominent part among the superstitious practices of European peoples than among those of savages who live nearer the equator and who consequently are apt to get in the course of nature more sunshine than they want。 This view of the festivals may be supported by various arguments drawn partly from their dates察partly from the nature of the rites察and partly from the influence which they are believed to exert upon the weather and on vegetation。

First察in regard to the dates of the festivals it can be no mere accident that two of the most important and widely spread of the festivals are timed to coincide more or less exactly with the summer and winter solstices察that is察with the two turning´points in the sun's apparent course in the sky when he reaches respectively his highest and his lowest elevation at noon。 Indeed with respect to the midwinter celebration of Christmas we are not left to conjecture察we know from the express testimony of the ancients that it was instituted by the church to supersede an old heathen festival of the birth of the sun察which was apparently conceived to be born again on the shortest day of the year察after which his light and heat were seen to grow till they attained their full maturity at midsummer。 Therefore it is no very far´fetched conjecture to suppose that the Yule log察which figures so prominently in the popular celebration of Christmas察was originally designed to help the labouring sun of midwinter to rekindle his seemingly expiring light。

Not only the date of some of the festivals but the manner of their celebration suggests a conscious imitation of the sun。 The custom of rolling a burning wheel down a hill察which is often observed at these ceremonies察might well pass for an imitation of the sun's course in the sky察and the imitation would be especially appropriate on Midsummer Day when the sun's annual declension begins。 Indeed the custom has been thus interpreted by some of those who have recorded it。 Not less graphic察it may be said察is the mimicry of his apparent revolution by swinging a burning tar´barrel round a pole。 Again察the common practice of throwing fiery discs察sometimes expressly said to be shaped like suns察into the air at the festivals may well be a piece of imitative magic。 In these察as in so many cases察the magic force may be supposed to take effect through mimicry or sympathy此by imitating the desired result you actually produce it此by counterfeiting the sun's progress through the heavens you really help the luminary to pursue his celestial journey with punctuality and despatch。 The name fire of heaven察by which the midsummer fire is sometimes popularly known察clearly implies a consciousness of a connexion between the earthly and the heavenly flame。

Again察the manner in which the fire appears to have been originally kindled on these occasions has been alleged in support of the view that it was intended to be a mock´sun。 As some scholars have perceived察it is highly probable that at the periodic festivals in former times fire was universally obtained by the friction of two pieces of wood。 It is still so procured in some places both at the Easter and the Midsummer festivals察and it is expressly said to have been formerly so procured at the Beltane celebration both in Scotland and Wales。 But what makes it nearly certain that this was once the invariable mode of kindling the fire at these periodic festivals is the analogy of the needfire察which has almost always been produced by the friction of wood察and sometimes by the revolution of a wheel。 It is a plausible conjecture that the wheel employed for this purpose represents the sun察and if the fires at the regularly recurring celebrations were formerly produced in the same way察it might be regarded as a confirmation of the view that they were originally sun´charms。 In point of fact there is察as Kuhn has indicated察some evidence to show that the midsummer fire was originally thus produced。 We have seen that many Hungarian swine´herds make fire on Midsummer Eve by rotating a wheel round a wooden axle wrapt in hemp察and that they drive their pigs through the fire thus made。 At Obermedlingen察in Swabia察the fire of heaven察as it was called察was made on St。 Vitus's Day the fifteenth of June by igniting a cart´wheel察which察smeared with pitch and plaited with straw察was fastened on a pole twelve feet high察the top of the pole being inserted in the nave of the wheel。 This fire was made on the summit of a mountain察and as the flame ascended察the people uttered a set form of words察with eyes and arms directed heavenward。 Here the fixing of a wheel on a pole and igniting it suggests that originally the fire was produced察as in the case of the need´fire察by the revolution of a wheel。 The day on which the ceremony takes place the fifteenth of June is near midsummer察and we have seen that in Masuren fire is察or used to be察actually made on Midsummer Day by turning a wheel rapidly about an oaken pole察though it is not said that the new fire so obtained is used to light a bonfire。 However察we must bear in mind that in all such cases the use of a wheel may be merely a mechanical device to facilitate the operation of fire´making by increasing the friction察it need not have any symbolical significance。

Further察the influence which these fires察wheth

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