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!!!!隆堋響頼紗秘慕禰厮宴和肝写偬堋響
he joyous day as to admit a pheasant to his frugal board。 The next day察the twenty´sixth of March察was given to repose察which must have been much needed after the varied excitements and fatigues of the preceding days。 Finally察the Roman festival closed on the twenty´seventh of March with a procession to the brook Almo。 The silver image of the goddess察with its face of jagged black stone察sat in a waggon drawn by oxen。 Preceded by the nobles walking barefoot察it moved slowly察to the loud music of pipes and tambourines察out by the Porta Capena察and so down to the banks of the Almo察which flows into the Tiber just below the walls of Rome。 There the high´priest察robed in purple察washed the waggon察the image察and the other sacred objects in the water of the stream。 On returning from their bath察the wain and the oxen were strewn with fresh spring flowers。 All was mirth and gaiety。 No one thought of the blood that had flowed so lately。 Even the eunuch priests forgot their wounds。
Such察then察appears to have been the annual solemnisation of the death and resurrection of Attis in spring。 But besides these public rites察his worship is known to have comprised certain secret or mystic ceremonies察which probably aimed at bringing the worshipper察and especially the novice察into closer communication with his god。 Our information as to the nature of these mysteries and the date of their celebration is unfortunately very scanty察but they seem to have included a sacramental meal and a baptism of blood。 In the sacrament the novice became a partaker of the mysteries by eating out of a drum and drinking out of a cymbal察two instruments of music which figured prominently in the thrilling orchestra of Attis。 The fast which accompanied the mourning for the dead god may perhaps have been designed to prepare the body of the communicant for the reception of the blessed sacrament by purging it of all that could defile by contact the sacred elements。 In the baptism the devotee察crowned with gold and wreathed with fillets察descended into a pit察the mouth of which was covered with a wooden grating。 A bull察adorned with garlands of flowers察its forehead glittering with gold leaf察was then driven on to the grating and there stabbed to death with a consecrated spear。 Its hot reeking blood poured in torrents through the apertures察and was received with devout eagerness by the worshipper on every part of his person and garments察till he emerged from the pit察drenched察dripping察and scarlet from head to foot察to receive the homage察nay the adoration察of his fellows as one who had been born again to eternal life and had washed away his sins in the blood of the bull。 For some time afterwards the fiction of a new birth was kept up by dieting him on milk like a new´born babe。 The regeneration of the worshipper took place at the same time as the regeneration of his god察namely at the vernal equinox。 At Rome the new birth and the remission of sins by the shedding of bull's blood appear to have been carried out above all at the sanctuary of the Phrygian goddess on the Vatican Hill察at or near the spot where the great basilica of St。 Peter's now stands察for many inscriptions relating to the rites were found when the church was being enlarged in 1608 or 1609。 From the Vatican as a centre this barbarous system of superstition seems to have spread to other parts of the Roman empire。 Inscriptions found in Gaul and Germany prove that provincial sanctuaries modelled their ritual on that of the Vatican。 From the same source we learn that the testicles as well as the blood of the bull played an important part in the ceremonies。 Probably they were regarded as a powerful charm to promote fertility and hasten the new birth。
Chapter 35。 Attis as a God of Vegetation。
THE ORIGINAL character of Attis as a tree´spirit is brought out plainly by the part which the pine´tree plays in his legend察his ritual察and his monuments。 The story that he was a human being transformed into a pine´tree is only one of those transparent attempts at rationalising old beliefs which meet us so frequently in mythology。 The bringing in of the pine´tree from the woods察decked with violets and woollen bands察is like bringing in the May´tree or Summer´tree in modern folk´custom察and the effigy which was attached to the pine´tree was only a duplicate representative of the tree´spirit Attis。 After being fastened to the tree察the effigy was kept for a year and then burned。 The same thing appears to have been sometimes done with the May´pole察and in like manner the effigy of the corn´spirit察made at harvest察is often preserved till it is replaced by a new effigy at next year's harvest。 The original intention of such customs was no doubt to maintain the spirit of vegetation in life throughout the year。 Why the Phrygians should have worshipped the pine above other trees we can only guess。 Perhaps the sight of its changeless察though sombre察green cresting the ridges of the high hills above the fading splendour of the autumn woods in the valleys may have seemed to their eyes to mark it out as the seat of a diviner life察of something exempt from the sad vicissitudes of the seasons察constant and eternal as the sky which stooped to meet it。 For the same reason察perhaps察ivy was sacred to Attis察at all events察we read that his eunuch priests were tattooed with a pattern of ivy leaves。 Another reason for the sanctity of the pine may have been its usefulness。 The cones of the stone´pine contain edible nut´like seeds察which have been used as food since antiquity察and are still eaten察for example察by the poorer classes in Rome。 Moreover察a wine was brewed from these seeds察and this may partly account for the orgiastic nature of the rites of Cybele察which the ancients compared to those of Dionysus。 Further察pine´cones were regarded as symbols or rather instruments of fertility。 Hence at the festival of the Thesmophoria they were thrown察along with pigs and other agents or emblems of fecundity察into the sacred vaults of Demeter for the purpose of quickening the ground and the wombs of women。
Like tree´spirits in general察Attis was apparently thought to wield power over the fruits of the earth or even to be identical with the corn。 One of his epithets was very fruitful此he was addressed as the reaped green or yellow ear of corn察and the story of his sufferings察death察and resurrection was interpreted as the ripe grain wounded by the reaper察buried in the granary察and coming to life again when it is sown in the ground。 A statue of him in the Lateran Museum at Rome clearly indicates his relation to the fruits of the earth察and particularly to the corn察for it represents him with a bunch of ears of corn and fruit in his hand察and a wreath of pine´cones
pomegranates察and other fruits on his head察while from the top of his Phrygian cap ears of corn are sprouting。 On a stone urn察which contained the ashes of an Archigallus or high´priest of Attis察the same idea is expressed in a slightly different way。 The top of the urn is adorned with ears of corn carved in relief察and it is surmounted by the figure of a cock察whose tail consists of ears of corn。 Cybele in like manner was conceived as a goddess of fertility who could make or mar the fruits of the earth察for the people of Augustodunum Autun in Gaul used to cart her image about in a waggon for the good of the fields and vineyards察while they danced and sang before it察and we have seen that in Italy an unusually fine harvest was attributed to the recent arrival of the Great Mother。 The bathing of the image of the goddess in a river may well have been a rain´charm to ensure an abundant supply of moisture for the crops。
Chapter 36。 Human Representatives of Attis。
FROM INSCRIPTIONS it appears that both at Pessinus and Rome the high´priest of Cybele regularly bore the name of Attis。 It is therefore a reasonable conjecture that he played the part of his namesake察the legendary Attis察at the annual festival。 We have seen that on the Day of Blood he drew blood from his arms察and this may have been an imitation of the self´inflicted death of Attis under the pine´tree。 It is not inconsistent with this supposition that Attis was also represented at these ceremonies by an effigy察for instances can be shown in which the divine being is first represented by a living person and afterwards by an effigy察which is then burned or otherwise destroyed。 Perhaps we may go a step farther and conjecture that this mimic killing of the priest察accompanied by a real effusion of his blood察was in Phrygia察as it has been elsewhere察a substitute for a human sacrifice which in earlier times was actually offered。
A reminiscence of the manner in which these old representatives of the deity were put to death is perhaps preserved in the famous story of Marsyas。 He was said to be a Phrygian satyr or Silenus察according to others a shepherd or herdsman察who played sweetly on the flute。 A friend of Cybele察he roamed the country with the disconsolate goddess to soothe her grief for the death of Attis。 The composition of the Mother's Air察a tune played on the flute in honour of the Great Mother Goddess察was attributed to him by the people of Celaenae in Phrygia。 Vain of his skill察he challenged Apollo to a musi