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!!!!隆堋響頼紗秘慕禰厮宴和肝写偬堋響
Shrovetide about the beginning of the seventeenth century。 Two men disguised as Wild Men察the one in brushwood and moss察the other in straw察were led about the streets察and at last taken to the market´place察where they were chased up and down察shot and stabbed。 Before falling they reeled about with strange gestures and spirted blood on the people from bladders which they carried。 When they were down察the huntsmen placed them on boards and carried them to the ale´house察the miners marching beside them and winding blasts on their mining tools as if they had taken a noble head of game。 A very similar Shrovetide custom is still observed near Schluckenau in Bohemia。 A man dressed up as a Wild Man is chased through several streets till he comes to a narrow lane across which a cord is stretched。 He stumbles over the cord and察falling to the ground察is overtaken and caught by his pursuers。 The executioner runs up and stabs with his sword a bladder filled with blood which the Wild Man wears round his body察so the Wild Man dies察while a stream of blood reddens the ground。 Next day a straw´man察made up to look like the Wild Man察is placed on a litter察and察accompanied by a great crowd察is taken to a pool into which it is thrown by the executioner。 The ceremony is called burying the Carnival。
In Semic Bohemia the custom of beheading the King is observed on Whit´Monday。 A troop of young people disguise themselves察each is girt with a girdle of bark and carries a wooden sword and a trumpet of willow´bark。 The King wears a robe of tree´bark adorned with flowers察on his head is a crown of bark decked with flowers and branches察his feet are wound about with ferns察a mask hides his face察and for a sceptre he has a hawthorn switch in his hand。 A lad leads him through the village by a rope fastened to his foot察while the rest dance about察blow their trumpets察and whistle。 In every farmhouse the King is chased round the room察and one of the troop察amid much noise and outcry察strikes with his sword a blow on the Kings robe of bark till it rings again。 Then a gratuity is demanded。 The ceremony of decapitation察which is here somewhat slurred over察is carried out with a greater semblance of reality in other parts of Bohemia。 Thus in some villages of the Kniggrtz district on Whit´Monday the girls assemble under one lime´tree and the young men under another察all dressed in their best and tricked out with ribbons。 The young men twine a garland for the Queen察and the girls another for the King。 When they have chosen the King and Queen they all go in procession two and two察to the ale´house察from the balcony of which the crier proclaims the names of the King and Queen。 Both are then invested with the insignia of their office and are crowned with the garlands察while the music plays up。 Then some one gets on a bench and accuses the King of various offences察such as ill´treating the cattle。 The King appeals to witnesses and a trial ensues察at the close of which the judge察who carries a white wand as his badge of office察pronounces a verdict of Guilty or Not guilty。 If the verdict is Guilty the judge breaks his wand察the King kneels on a white cloth察all heads are bared察and a soldier sets three or four hats察one above the other察on his Majestys head。 The judge then pronounces the word Guilty thrice in a loud voice察and orders the crier to behead the King。 The crier obeys by striking off the Kings hats with the wooden sword。
But perhaps察for our purpose察the most instructive of these mimic executions is the following Bohemian one。 In some places of the Pilsen district Bohemia on Whit´Monday the King is dressed in bark察ornamented with flowers and ribbons察he wears a crown of gilt paper and rides a horse察which is also decked with flowers。 Attended by a judge察an executioner察and other characters察and followed by a train of soldiers察all mounted察he rides to the village square察where a hut or arbour of green boughs has been erected under the May´trees察which are firs察freshly cut察peeled to the top察and dressed with flowers and ribbons。 After the dames and maidens of the village have been criticised and a frog beheaded察the cavalcade rides to a place previously determined upon察in a straight察broad street。 Here they draw up in two lines and the King takes to flight。 He is given a short start and rides off at full speed察pursued by the whole troop。 If they fail to catch him he remains King for another year察and his companions must pay his score at the ale´house in the evening。 But if they overtake and catch him he is scourged with hazel rods or beaten with the wooden swords and compelled to dismount。 Then the executioner asks察Shall I behead this King The answer is given察Behead him察the executioner brandishes his axe察and with the words察One察two察three察let the King headless be he strikes off the Kings crown。 Amid the loud cries of the bystanders the King sinks to the ground察then he is laid on a bier and carried to the nearest farmhouse。
In most of the personages who are thus slain in mimicry it is impossible not to recognise representatives of the tree´spirit or spirit of vegetation察as he is supposed to manifest himself in spring。 The bark察leaves察and flowers in which the actors are dressed察and the season of the year at which they appear察show that they belong to the same class as the Grass King察King of the May察Jack´in´the´Green察and other representatives of the vernal spirit of vegetation which we examined in an earlier part of this work。 As if to remove any possible doubt on this head察we find that in two cases these slain men are brought into direct connexion with May´trees察which are the impersonal察as the May King察Grass King察and so forth察are the personal representatives of the tree´spirit。 The drenching of the Pfingstl with water and his wading up to the middle into the brook are察therefore察no doubt rain´charms like those which have been already described。
But if these personages represent察as they certainly do察the spirit of vegetation in spring察the question arises察Why kill them拭What is the object of slaying the spirit of vegetation at any time and above all in spring察when his services are most wanted拭The only probable answer to this question seems to be given in the explanation already proposed of the custom of killing the divine king or priest。 The divine life察incarnate in a material and mortal body察is liable to be tainted and corrupted by the weakness of the frail medium in which it is for a time enshrined察and if it is to be saved from the increasing enfeeblement which it must necessarily share with its human incarnation as he advances in years察it must be detached from him before察or at least as soon as察he exhibits signs of decay察in order to be transferred to a vigorous successor。 This is done by killing the old representative of the god and conveying the divine spirit from him to a new incarnation。 The killing of the god察that is察of his human incarnation察is therefore merely a necessary step to his revival or resurrection in a better form。 Far from being an extinction of the divine spirit察it is only the beginning of a purer and stronger manifestation of it。 If this explanation holds good of the custom of killing divine kings and priests in general察it is still more obviously applicable to the custom of annually killing the representative of the tree´spirit or spirit of vegetation in spring。 For the decay of plant life in winter is readily interpreted by primitive man as an enfeeblement of the spirit of vegetation察the spirit has察he thinks察grown old and weak and must therefore be renovated by being slain and brought to life in a younger and fresher form。 Thus the killing of the representative of the tree´spirit in spring is regarded as a means to promote and quicken the growth of vegetation。 For the killing of the tree´spirit is associated always we must suppose implicitly察and sometimes explicitly also察with a revival or resurrection of him in a more youthful and vigorous form。 So in the Saxon and Th┨ringen custom察after the Wild Man has been shot he is brought to life again by a doctor察and in the Wurmlingen ceremony there figures a Dr。 Iron´Beard察who probably once played a similar part察certainly in another spring ceremony察which will be described presently察Dr。 Iron´Beard pretends to restore a dead man to life。 But of this revival or resurrection of the god we shall have more to say anon。
The points of similarity between these North European personages and the subject of our enquiry ;the King of the Wood or priest of Nemi; are sufficiently striking。 In these northern maskers we see kings察whose dress of bark and leaves along with the hut of green boughs and the fir´trees察under which they hold their court察proclaim them unmistakably as察like their Italian counterpart察Kings of the Wood。 Like him they die a violent death察but like him they may escape from it for a time by their bodily strength and agility察for in several of these northern customs the flight and pursuit of the king is a prominent part of the ceremony察and in one case at least if the king can outrun his pursuers he retains his life and his office for another year。 In this last case the king in fact holds office on condition