the professor at the breakfast table-第37节
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sagacious idea of finding out the girl's fancies by looking into her
locked drawing…book。
Not to give up all the questions I was determined to solve; I made
an attempt also to work into the Little Gentleman's chamber。 For
this purpose; I kept him in conversation; one morning; until he was
just ready to go up…stairs; and then; as if to continue the talk;
followed him as he toiled back to his room。 He rested on the
landing and faced round toward me。 There was something in his eye
which said; Stop there! So we finished our conversation on the
landing。 The next day; I mustered assurance enough to knock at his
door; having a pretext ready。 No answer。 Knock again。 A door;
as if of a cabinet; was shut softly and locked; and presently I
heard the peculiar dead beat of his thick…soled; misshapen boots。
The bolts and the lock of the inner door were unfastened;with
unnecessary noise; I thought;and he came into the passage。 He
pulled the inner door after him and opened the outer one at which I
stood。 He had on a flowered silk dressing…gown; such as
〃Mr。 Copley〃 used to paint his old…fashioned merchant…princes in;
and a quaint…looking key in his hand。 Our conversation was short;
but long enough to convince me that the Little Gentleman did not
want my company in his chamber; and did not mean to have it。
I have been making a great fuss about what is no mystery at all;a
schoolgirl's secrets and a whimsical man's habits。 I mean to give
up such nonsense and mind my own business。 Hark! What the deuse
is that odd noise in his chamber?
I think I am a little superstitious。 There were two things; when
I was a boy; that diabolized my imagination;I mean; that gave me a
distinct apprehension of a formidable bodily shape which prowled
round the neighborhood where I was born and bred。 The first was a
series of marks called the 〃Devil's footsteps。〃 These were patches
of sand in the pastures; where no grass grew; where the low…bush
blackberry; the 〃dewberry;〃 as our Southern neighbors call it; in
prettier and more Shakspearian language; did not spread its clinging
creepers;where even the pale; dry; sadly…sweet 〃everlasting〃 could
not grow; but all was bare and blasted。 The second was a mark in
one of the public buildings near my home;the college dormitory
named after a Colonial Governor。 I do not think many persons are
aware of the existence of this mark;little having been said about
the story in print; as it was considered very desirable; for the
sake of the Institution; to hush it up。 In the northwest corner;
and on the level of the third or fourth story; there are signs of a
breach in the walls; mended pretty well; but not to be mistaken。 A
considerable portion of that corner must have been carried away;
from within outward。 It was an unpleasant affair; and I do not care
to repeat the particulars; but some young men had been using sacred
things in a profane and unlawful way; when the occurrence; which was
variously explained; took place。 The story of the Appearance in the
chamber was; I suppose; invented afterwards; but of the injury to
the building there could be no question; and the zig…zag line; where
the mortar is a little thicker than before; is still distinctly
visible。 The queer burnt spots; called the 〃Devil's footsteps;〃 had
never attracted attention before this time; though there is no
evidence that they had not existed previously; except that of the
late Miss M。; a 〃Goody;〃 so called; or sweeper; who was positive on
the subject; but had a strange horror of referring to an affair of
which she was thought to know something。 I tell you it was not so
pleasant for a little boy of impressible nature to go up to bed in
an old gambrel…roofed house; with untenanted; locked upper…chambers;
and a most ghostly garret;with the 〃Devil's footsteps〃 in the
fields behind the house and in front of it the patched dormitory
where the unexplained occurrence had taken place which startled
those godless youths at their mock devotions; so that one of them
was epileptic from that day forward; and another; after a dreadful
season of mental conflict; took holy orders and became renowned for
his ascetic sanctity。
There were other circumstances that kept up the impression produced
by these two singular facts I have just mentioned。 There was a dark
storeroom; on looking through the key…hole of which; I could dimly
see a heap of chairs and tables; and other four…footed things; which
seemed to me to have rushed in there; frightened; and in their
fright to have huddled together and climbed up on each other's
backs;as the people did in that awful crush where so many were
killed; at the execution of Holloway and Haggerty。 Then the Lady's
portrait; up…stairs; with the sword…thrusts through it;marks of
the British officers' rapiers;and the tall mirror in which they
used to look at their red coats;confound them for smashing its
mate?and the deep; cunningly wrought arm…chair in which Lord Percy
used to sit while his hair was dressing;he was a gentleman; and
always had it covered with a large peignoir; to save the silk
covering my grandmother embroidered。 Then the little room
downstairs from which went the orders to throw up a bank of earth on
the hill yonder; where you may now observe a granite obelisk;〃the
study〃 in my father's time; but in those days the council…chamber of
armed men;sometimes filled with soldiers; come with me; and I will
show you the 〃dents〃 left by the butts of their muskets all over the
floor。 With all these suggestive objects round me; aided by the
wild stories those awful country…boys that came to live in our
service brought with them;of contracts written in blood and left
out over night; not to be found the next morning; (removed by the
Evil One; who takes his nightly round among our dwellings; and filed
away for future use;)of dreams coming true;of death…signs;of
apparitions; no wonder that my imagination got excited; and I was
liable to superstitious fancies。
Jeremy Bentham's logic; by which he proved that he couldn't possibly
see a ghost is all very well…in the day…time。 All the reason in the
world will never get those impressions of childhood; created by just
such circumstances as I have been telling; out of a man's head。
That is the only excuse I have to give for the nervous kind of
curiosity with which I watch my little neighbor; and the obstinacy
with which I lie awake whenever I hear anything going on in his
chamber after midnight。
But whatever further observations I may have made must be deferred
for the present。 You will see in what way it happened that my
thoughts were turned from spiritual matters to bodily ones; and how
I got my fancy full of material images;faces; heads; figures;
muscles; and so forth;in such a way that I should have no chance
in this number to gratify any curiosity you may feel; if I had the
means of so doing。
Indeed; I have come pretty near omitting my periodical record this
time。 It was all the work of a friend of mine; who would have it
that I should sit to him for my portrait。 When a soul draws a body
in the great lottery of life; where every one is sure of a prize;
such as it is; the said soul inspects the said body with the same
curious interest with which one who has ventured into a 〃gift
enterprise〃 examines the 〃massive silver pencil…case〃 with the
coppery smell and impressible tube; or the 〃splendid gold ring〃 with
the questionable specific gravity; which it has been his fortune to
obtain in addition to his purchase。
The soul; having studied the article of which it finds itself
proprietor; thinks; after a time; it knows it pretty well。 But
there is this difference between its view and that of a person
looking at us:we look from within; and see nothing but the mould
formed by the elements in which we are incased; other observers look
from without; and see us as living statues。 To be sure; by the aid
of mirrors; we get a few glimpses of our outside aspect; but this
occasional impression is always modified by that look of the soul
from within outward which none but ourselves can take。 A portrait
is apt; therefore; to be a surprise to us。 The artist looks only
from without。 He sees us; too; with a hundred aspects on our faces
we are never likely to see。 No genuine expression can be studied by
the subject of it in the looking…glass。
More than this; he sees us in a way in which many of our friends or
acquaintances never see us。 Without wearing any mask we are
conscious of; we have a special face for each friend。 For; in the
first place; each puts a special reflection of himself upon us; on
the principle of assimilation you found referred to in my last
record; if you happened to read that document。 And secondly; each
of our friends is capable of seeing just so far; and no farther;
into our face; and each sees in it the particular thing that he
looks