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第37节

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sagacious idea of finding out the girl's fancies by looking into her

locked drawing…book。



Not to give up all the questions I was determined to solve; I made

an attempt also to work into the Little Gentleman's chamber。  For

this purpose; I kept him in conversation; one morning; until he was

just ready to go up…stairs; and then; as if to continue the talk;

followed him as he toiled back to his room。  He rested on the

landing and faced round toward me。  There was something in his eye

which said; Stop there!  So we finished our conversation on the

landing。  The next day; I mustered assurance enough to knock at his

door; having a pretext ready。 No answer。 Knock again。  A door;

as if of a cabinet; was shut softly and locked; and presently I

heard the peculiar dead beat of his thick…soled; misshapen boots。

The bolts and the lock of the inner door were unfastened;with

unnecessary noise; I thought;and he came into the passage。  He

pulled the inner door after him and opened the outer one at which I

stood。  He had on a flowered silk dressing…gown; such as

〃Mr。 Copley〃 used to paint his old…fashioned merchant…princes in;

and a quaint…looking key in his hand。  Our conversation was short;

but long enough to convince me that the Little Gentleman did not

want my company in his chamber; and did not mean to have it。



I have been making a great fuss about what is no mystery at all;a

schoolgirl's secrets and a whimsical man's habits。  I mean to give

up such nonsense and mind my own business。 Hark!  What the deuse

is that odd noise in his chamber?



I think I am a little superstitious。  There were two things; when

I was a boy; that diabolized my imagination;I mean; that gave me a

distinct apprehension of a formidable bodily shape which prowled

round the neighborhood where I was born and bred。  The first was a

series of marks called the 〃Devil's footsteps。〃  These were patches

of sand in the pastures; where no grass grew; where the low…bush

blackberry; the 〃dewberry;〃 as our Southern neighbors call it; in

prettier and more Shakspearian language; did not spread its clinging

creepers;where even the pale; dry; sadly…sweet 〃everlasting〃 could

not grow; but all was bare and blasted。  The second was a mark in

one of the public buildings near my home;the college dormitory

named after a Colonial Governor。  I do not think many persons are

aware of the existence of this mark;little having been said about

the story in print; as it was considered very desirable; for the

sake of the Institution; to hush it up。  In the northwest corner;

and on the level of the third or fourth story; there are signs of a

breach in the walls; mended pretty well; but not to be mistaken。  A

considerable portion of that corner must have been carried away;

from within outward。  It was an unpleasant affair; and I do not care

to repeat the particulars; but some young men had been using sacred

things in a profane and unlawful way; when the occurrence; which was

variously explained; took place。  The story of the Appearance in the

chamber was; I suppose; invented afterwards; but of the injury to

the building there could be no question; and the zig…zag line; where

the mortar is a little thicker than before; is still distinctly

visible。  The queer burnt spots; called the 〃Devil's footsteps;〃 had

never attracted attention before this time; though there is no

evidence that they had not existed previously; except that of the

late Miss M。; a 〃Goody;〃 so called; or sweeper; who was positive on

the subject; but had a strange horror of referring to an affair of

which she was thought to know something。 I tell you it was not so

pleasant for a little boy of impressible nature to go up to bed in

an old gambrel…roofed house; with untenanted; locked upper…chambers;

and a most ghostly garret;with the 〃Devil's footsteps〃 in the

fields behind the house and in front of it the patched dormitory

where the unexplained occurrence had taken place which startled

those godless youths at their mock devotions; so that one of them

was epileptic from that day forward; and another; after a dreadful

season of mental conflict; took holy orders and became renowned for

his ascetic sanctity。



There were other circumstances that kept up the impression produced

by these two singular facts I have just mentioned。  There was a dark

storeroom; on looking through the key…hole of which; I could dimly

see a heap of chairs and tables; and other four…footed things; which

seemed to me to have rushed in there; frightened; and in their

fright to have huddled together and climbed up on each other's

backs;as the people did in that awful crush where so many were

killed; at the execution of Holloway and Haggerty。  Then the Lady's

portrait; up…stairs; with the sword…thrusts through it;marks of

the British officers' rapiers;and the tall mirror in which they

used to look at their red coats;confound them for smashing its

mate?and the deep; cunningly wrought arm…chair in which Lord Percy

used to sit while his hair was dressing;he was a gentleman; and

always had it covered with a large peignoir; to save the silk

covering my grandmother embroidered。  Then the little room

downstairs from which went the orders to throw up a bank of earth on

the hill yonder; where you may now observe a granite obelisk;〃the

study〃 in my father's time; but in those days the council…chamber of

armed men;sometimes filled with soldiers; come with me; and I will

show you the 〃dents〃 left by the butts of their muskets all over the

floor。  With all these suggestive objects round me; aided by the

wild stories those awful country…boys that came to live in our

service brought with them;of contracts written in blood and left

out over night; not to be found the next morning; (removed by the

Evil One; who takes his nightly round among our dwellings; and filed

away for future use;)of dreams coming true;of death…signs;of

apparitions; no wonder that my imagination got excited; and I was

liable to superstitious fancies。



Jeremy Bentham's logic; by which he proved that he couldn't possibly

see a ghost is all very well…in the day…time。  All the reason in the

world will never get those impressions of childhood; created by just

such circumstances as I have been telling; out of a man's head。

That is the only excuse I have to give for the nervous kind of

curiosity with which I watch my little neighbor; and the obstinacy

with which I lie awake whenever I hear anything going on in his

chamber after midnight。



But whatever further observations I may have made must be deferred

for the present。  You will see in what way it happened that my

thoughts were turned from spiritual matters to bodily ones; and how

I got my fancy full of material images;faces; heads; figures;

muscles; and so forth;in such a way that I should have no chance

in this number to gratify any curiosity you may feel; if I had the

means of so doing。



Indeed; I have come pretty near omitting my periodical record this

time。  It was all the work of a friend of mine; who would have it

that I should sit to him for my portrait。  When a soul draws a body

in the great lottery of life; where every one is sure of a prize;

such as it is; the said soul inspects the said body with the same

curious interest with which one who has ventured into a 〃gift

enterprise〃 examines the 〃massive silver pencil…case〃 with the

coppery smell and impressible tube; or the 〃splendid gold ring〃 with

the questionable specific gravity; which it has been his fortune to

obtain in addition to his purchase。



The soul; having studied the article of which it finds itself

proprietor; thinks; after a time; it knows it pretty well。  But

there is this difference between its view and that of a person

looking at us:we look from within; and see nothing but the mould

formed by the elements in which we are incased; other observers look

from without; and see us as living statues。  To be sure; by the aid

of mirrors; we get a few glimpses of our outside aspect; but this

occasional impression is always modified by that look of the soul

from within outward which none but ourselves can take。  A portrait

is apt; therefore; to be a surprise to us。  The artist looks only

from without。  He sees us; too; with a hundred aspects on our faces

we are never likely to see。  No genuine expression can be studied by

the subject of it in the looking…glass。



More than this; he sees us in a way in which many of our friends or

acquaintances never see us。  Without wearing any mask we are

conscious of; we have a special face for each friend。  For; in the

first place; each puts a special reflection of himself upon us; on

the principle of assimilation you found referred to in my last

record; if you happened to read that document。  And secondly; each

of our friends is capable of seeing just so far; and no farther;

into our face; and each sees in it the particular thing that he

looks 

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