the raven(鱗兒)-及2准
梓囚徒貧圭鮗 ○ 賜 ★ 辛酔堀貧和鍬匈梓囚徒貧議 Enter 囚辛指欺云慕朕村匈梓囚徒貧圭鮗 ● 辛指欺云匈競何
!!!!隆堋響頼紗秘慕禰厮宴和肝写偬堋響
When his dominions were half depopulated察he summoned to his presence
a thousand hale and light´hearted friends from among the knights and
dames of his court察and with these retired to the deep seclusion of one of
his castellated abbeys。 This was an extensive and magnificent structure察
the creation of the prince's own eccentric yet august taste。 A strong and
lofty wall girdled it in。 This wall had gates of iron。 The courtiers察
having entered察 brought furnaces and massy hammers and welded the
bolts。 They resolved to leave means neither of ingress nor egress to the
sudden impulses of despair or of frenzy from within。 The abbey was
amply provisioned。 With such precautions the courtiers might bid
defiance to contagion。 The external world could take care of itself。 In
the meantime it was folly to grieve察or to think。 The prince had provided
all the appliances of pleasure。 There were buffoons察 there were
improvisatori察there were ballet´dancers察there were musicians察there was
Beauty察 there was wine。 All these and security were within。 Without
was the ;Red Death;。
It was towards the close of the fifth or sixth month of his seclusion察
and while the pestilence raged most furiously abroad察 that the Prince
Prospero entertained his thousand friends at a masked ball of the most
unusual magnificence。
It was a voluptuous scene察that masquerade。 But first let me tell of
the rooms in which it was held。 These were sevenan imperial suite。
In many palaces察however察such suites form a long and straight vista察while
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the folding doors slide back nearly to the walls on either hand察so that the
view of the whole extent is scarcely impeded。 Here the case was very
different察 as might have been expected from the duke's love of the
bizarre。 The apartments were so irregularly disposed that the vision
embraced but little more than one at a time。 There was a sharp turn at
every twenty or thirty yards察and at each turn a novel effect。 To the right
and left察 in the middle of each wall察 a tall and narrow Gothic window
looked out upon a closed corridor which pursued the windings of the suite。
These windows were of stained glass whose colour varied in accordance
with the prevailing hue of the decorations of the chamber into which it
opened。 That at the eastern extremity was hung察 for example in blue
and vividly blue were its windows。 The second chamber was purple in
its ornaments and tapestries察and here the panes were purple。 The third
was green throughout察 and so were the casements。 The fourth was
furnished and lighted with orangethe fifth with whitethe sixth with
violet。 The seventh apartment was closely shrouded in black velvet
tapestries that hung all over the ceiling and down the walls察 falling in
heavy folds upon a carpet of the same material and hue。 But in this
chamber only察 the colour of the windows failed to correspond with the
decorations。 The panes here were scarleta deep blood colour。 Now in
no one of the seven apartments was there any lamp or candelabrum察amid
the profusion of golden ornaments that lay scattered to and fro or
depended from the roof。 There was no light of any kind emanating from
lamp or candle within the suite of chambers。 But in the corridors that
followed the suite察there stood察opposite to each window察a heavy tripod察
bearing a brazier of fire察that projected its rays through the tinted glass and
so glaringly illumined the room。 And thus were produced a multitude of
gaudy and fantastic appearances。 But in the western or black chamber
the effect of the fire´light that streamed upon the dark hangings through
the blood´tinted panes察was ghastly in the extreme察and produced so wild a
look upon the countenances of those who entered察that there were few of
the company bold enough to set foot within its precincts at all。
It was in this apartment察also察that there stood against the western wall察
a gigantic clock of ebony。 Its pendulum swung to and fro with a dull察
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heavy察monotonous clang察and when the minute´hand made the circuit of
the face察and the hour was to be stricken察there came from the brazen lungs
of the clock a sound which was clear and loud and deep and exceedingly
musical察but of so peculiar a note and emphasis that察at each lapse of an
hour察 the musicians of the orchestra were constrained to pause察
momentarily察 in their performance察 to harken to the sound察 and thus the
waltzers perforce ceased their evolutions察and there was a brief disconcert
of the whole gay company察and察while the chimes of the clock yet rang察it
was observed that the giddiest grew pale察and the more aged and sedate
passed their hands over their brows as if in confused revery or meditation。
But when the echoes had fully ceased察a light laughter at once pervaded
the assembly察the musicians looked at each other and smiled as if at their
own nervousness and folly察and made whispering vows察each to the other察
that the next chiming of the clock should produce in them no similar
emotion察and then察after the lapse of sixty minutes察。which embrace three
thousand and six hundred seconds of the Time that flies撮 there came yet
another chiming of the clock察 and then were the same disconcert and
tremulousness and meditation as before。
But察in spite of these things察it was a gay and magnificent revel。 The
tastes of the duke were peculiar。 He had a fine eye for colours and
effects。 He disregarded the decora of mere fashion。 His plans were
bold and fiery察 and his conceptions glowed with barbaric lustre。 There
are some who would have thought him mad。 His followers felt that he
was not。 It was necessary to hear and see and touch him to be sure that
he was not。
He had directed察 in great part察 the movable embellishments of the
seven chambers察 upon occasion of this great fete察 and it was his own
guiding taste which had given character to the masqueraders。 Be sure
they were grotesque。 There were much glare and glitter and piquancy
and phantasmmuch of what has been since seen in ;Hernani;。
There were arabesque figures with unsuited limbs and appointments。
There were delirious fancies such as the madman fashions。 There were
much of the beautiful察 much of the wanton察 much of the bizarre察
something of the terrible察and not a little of that which might have excited
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disgust。 To and fro in the seven chambers there stalked察 in fact察 a
multitude of dreams。 And thesethe dreamswrithed in and about taking
hue from the rooms察and causing the wild music of the orchestra to seem
as the echo of their steps。 And察anon察there strikes the ebony clock which
stands in the hall of the velvet。 And then察for a moment察all is still察and
all is silent save the voice of the clock。 The dreams are stiff´frozen as
they stand