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When his dominions were half depopulated察he summoned to his presence 

a   thousand   hale   and   light´hearted   friends   from   among   the   knights   and 

dames of his court察and with these retired to the deep seclusion of one of 

his castellated abbeys。          This was an extensive and magnificent structure察

the creation of the prince's own eccentric yet august taste。                     A strong and 

lofty   wall   girdled   it   in。   This   wall   had   gates   of   iron。     The   courtiers察

having   entered察  brought   furnaces   and   massy   hammers   and   welded   the 

bolts。     They resolved to leave means neither of ingress nor egress to the 

sudden   impulses   of   despair   or   of   frenzy   from   within。         The   abbey   was 

amply      provisioned。        With     such    precautions      the   courtiers     might     bid 

defiance to contagion。           The external world could take care of itself。                 In 

the meantime it was folly to grieve察or to think。                 The prince had provided 

all    the   appliances      of   pleasure。      There      were     buffoons察     there    were 

improvisatori察there were ballet´dancers察there were musicians察there was 

Beauty察  there   was   wine。       All   these   and   security  were   within。       Without 

was the ;Red Death;。 

     It was towards the close of the fifth or sixth month of his                     seclusion察

and   while     the   pestilence     raged    most   furiously   abroad察     that   the   Prince 

Prospero   entertained   his   thousand   friends   at   a   masked   ball   of   the   most 

unusual magnificence。 

     It was a voluptuous scene察that masquerade。                    But first let me tell of 

the   rooms   in   which   it   was   held。     These   were   sevenan   imperial   suite。 

In many palaces察however察such suites form a long and straight vista察while 



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                                                THE RAVENTHE RAVEN 



the folding doors slide back nearly to the walls on either hand察so that the 

view   of   the   whole   extent   is   scarcely  impeded。           Here   the   case   was   very 

different察     as  might     have     been    expected      from     the   duke's    love    of   the 

bizarre。      The     apartments       were    so   irregularly     disposed      that   the  vision 

embraced but little more than one at a time。                      There was a sharp turn at 

every twenty or thirty yards察and at each turn a novel effect。                        To the right 

and   left察  in   the   middle   of   each   wall察  a   tall   and   narrow   Gothic   window 

looked out upon a closed corridor which pursued the windings of the suite。 

These windows were of stained glass whose colour varied in accordance 

with   the   prevailing   hue   of   the   decorations   of   the   chamber   into   which   it 

opened。        That   at the   eastern   extremity  was   hung察  for   example   in   blue 

and vividly blue were its windows。                   The second chamber was purple in 

its ornaments and tapestries察and here the panes were purple。                            The third 

was     green     throughout察     and    so   were     the   casements。       The     fourth     was 

furnished   and   lighted   with   orangethe   fifth   with   whitethe   sixth   with 

violet。     The     seventh      apartment      was    closely     shrouded      in  black     velvet 

tapestries   that   hung   all   over   the   ceiling   and   down   the   walls察  falling   in 

heavy   folds   upon   a   carpet   of   the   same   material   and   hue。           But   in   this 

chamber   only察  the   colour   of   the   windows   failed   to   correspond   with   the 

decorations。        The panes here were scarleta deep blood colour。                       Now in 

no one of the seven apartments was there any lamp or candelabrum察amid 

the    profusion      of   golden      ornaments       that   lay   scattered     to   and    fro   or 

depended from the roof。              There was no light of any kind emanating from 

lamp   or   candle   within   the   suite   of   chambers。         But   in   the   corridors   that 

followed the suite察there stood察opposite to each window察a heavy tripod察

bearing a brazier of fire察that projected its rays through the tinted glass and 

so glaringly illumined the room。                And thus were produced a multitude of 

gaudy   and   fantastic   appearances。            But   in   the   western   or   black   chamber 

the effect of the fire´light that            streamed upon the dark hangings through 

the blood´tinted panes察was ghastly in the extreme察and produced so wild a 

look upon the countenances of those who entered察that there were few of 

the company bold enough to set foot within its precincts at all。 

     It was in this apartment察also察that there stood against the western wall察

a   gigantic   clock   of   ebony。      Its   pendulum  swung   to   and   fro   with   a   dull察



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                                              THE RAVENTHE RAVEN 

                                              THE RAVENTHE RAVEN 



heavy察monotonous clang察and when the minute´hand made the circuit of 

the face察and the hour was to be stricken察there came from the brazen lungs 

of the clock a sound which was clear and loud and deep and exceedingly 

musical察but of so peculiar a note and emphasis that察at each lapse of an 

hour察    the    musicians       of   the    orchestra     were      constrained      to   pause察

momentarily察  in   their   performance察  to   harken   to   the   sound察  and   thus   the 

waltzers perforce ceased their evolutions察and there was a brief disconcert 

of the whole gay company察and察while the chimes of the clock yet rang察it 

was observed that   the giddiest grew  pale察and the  more aged and   sedate 

passed their hands over their brows as if in confused revery or meditation。 

But when the echoes had fully ceased察a light laughter at once pervaded 

the assembly察the musicians looked at each other and smiled as if at their 

own nervousness and folly察and made whispering vows察each to the other察

that   the   next   chiming   of   the   clock   should   produce   in   them   no   similar 

emotion察and then察after the lapse of sixty minutes察。which embrace three 

thousand and six hundred seconds of the Time that flies撮 there came yet 

another   chiming   of   the   clock察  and   then   were   the   same   disconcert   and 

tremulousness and meditation as before。 

     But察in spite of these things察it was a gay and magnificent revel。                       The 

tastes   of   the   duke   were   peculiar。       He   had   a   fine   eye   for   colours   and 

effects。     He   disregarded   the       decora   of   mere   fashion。       His   plans   were 

bold and   fiery察 and   his  conceptions   glowed   with barbaric   lustre。               There 

are some who would have thought him mad。                         His followers felt that he 

was not。      It was necessary to hear and see and touch him to be                     sure that 

he was not。 

     He   had   directed察  in   great   part察  the   movable   embellishments   of   the 

seven   chambers察  upon   occasion   of   this   great          fete察  and   it   was   his   own 

guiding   taste   which   had   given   character   to   the   masqueraders。            Be   sure 

they   were   grotesque。        There   were   much   glare   and   glitter   and   piquancy 

and     phantasmmuch          of   what    has    been    since     seen     in    ;Hernani;。 

There      were    arabesque      figures    with   unsuited     limbs     and   appointments。 

There were delirious fancies such as the madman fashions。                           There were 

much      of   the   beautiful察   much      of  the   wanton察     much     of   the    bizarre察

something of the terrible察and not a little of that which might have excited 



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                                               THE RAVENTHE RAVEN 

                                               THE RAVENTHE RAVEN 



disgust。      To    and    fro  in   the   seven    chambers       there   stalked察   in  fact察  a 

multitude of dreams。           And thesethe dreamswrithed in and about taking 

hue from the rooms察and causing the wild music of the orchestra to seem 

as the echo of their steps。          And察anon察there strikes the ebony clock which 

stands in the hall of the velvet。             And then察for a moment察all is still察and 

all is silent save the voice of the clock。                The dreams are stiff´frozen   as 

they stand

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