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rapidly passing away; in like manner we should exhort all our

friends to purchase Mr。 Cruikshank's designs of ANOTHER interesting

race; that is run already and for the last time。



Besides these; we must mention; in the line of our duty; the notable

tragedies of 〃Tom Thumb〃 and 〃Bombastes Furioso;〃 both of which have

appeared with many illustrations by Mr。 Cruikshank。  The 〃brave

army〃 of Bombastes exhibits a terrific display of brutal force;

which must shock the sensibilities of an English radical。  And we

can well understand the caution of the general; who bids this

soldatesque effrenee to begone; and not to kick up a row。



Such a troop of lawless ruffians let loose upon a populous city

would play sad havoc in it; and we fancy the massacres of Birmingham

renewed; or at least of Badajoz; which; though not quite so

dreadful; if we may believe his Grace the Duke of Wellington; as the

former scenes of slaughter; were nevertheless severe enough: but we

must not venture upon any ill…timed pleasantries in presence of the

disturbed King Arthur and the awful ghost of Gaffer Thumb。



We are thus carried at once into the supernatural; and here we find

Cruikshank reigning supreme。  He has invented in his time a little

comic pandemonium; peopled with the most droll; good…natured fiends

possible。  We have before us Chamisso's 〃Peter Schlemihl;〃 with

Cruikshank's designs translated into German; and gaining nothing by

the change。  The 〃Kinder und Hans…Maerchen〃 of Grimm are likewise

ornamented with a frontispiece copied from that one which appeared

to the amusing version of the English work。  The books on Phrenology

and Time have been imitated by the same nation; and even in France;

whither reputation travels slower than to any country except China;

we have seen copies of the works of George Cruikshank。



He in return has complimented the French by illustrating a couple of

Lives of Napoleon; and the 〃Life in Paris〃 before mentioned。  He has

also made designs for Victor Hugo's 〃Hans of Iceland。〃  Strange;

wild etchings were those; on a strange; mad subject; not so good in

our notion as the designs for the German books; the peculiar humor

of which latter seemed to suit the artist exactly。  There is a

mixture of the awful and the ridiculous in these; which perpetually

excites and keeps awake the reader's attention; the German writer

and the English artist seem to have an entire faith in their

subject。  The reader; no doubt; remembers the awful passage in

〃Peter Schlemihl;〃 where the little gentleman purchases the shadow

of that hero〃Have the kindness; noble sir; to examine and try this

bag。〃  〃He put his hand into his pocket; and drew thence a tolerably

large bag of Cordovan leather; to which a couple of thongs were

fixed。  I took it from him; and immediately counted out ten gold

pieces; and ten more; and ten more; and still other ten; whereupon I

held out my hand to him。  Done; said I; it is a bargain; you shall

have my shadow for your bag。  The bargain was concluded; he knelt

down before me; and I saw him with a wonderful neatness take my

shadow from head to foot; lightly lift it up from the grass; roll

and fold it up neatly; and at last pocket it。  He then rose up;

bowed to me once more; and walked away again; disappearing behind

the rose bushes。  I don't know; but I thought I heard him laughing a

little。  I; however; kept fast hold of the bag。  Everything around

me was bright in the sun; and as yet I gave no thought to what I had

done。〃



This marvellous event; narrated by Peter with such a faithful;

circumstantial detail; is painted by Cruikshank in the most

wonderful poetic way; with that happy mixture of the real and

supernatural that makes the narrative so curious; and like truth。

The sun is shining with the utmost brilliancy in a great quiet park

or garden; there is a palace in the background; and a statue basking

in the sun quite lonely and melancholy; there is a sun…dial; on

which is a deep shadow; and in the front stands Peter Schlemihl; bag

in hand: the old gentleman is down on his knees to him; and has just

lifted off the ground the SHADOW OF ONE LEG; he is going to fold it

back neatly; as one does the tails of a coat; and will stow it;

without any creases or crumples; along with the other black garments

that lie in that immense pocket of his。  Cruikshank has designed all

this as if he had a very serious belief in the story; he laughs; to

be sure; but one fancies that he is a little frightened in his

heart; in spite of all his fun and joking。



The German tales we have mentioned before。  〃The Prince riding on

the Fox;〃 〃Hans in Luck;〃 〃The Fiddler and his Goose;〃 〃Heads off;〃

are all drawings which; albeit not before us now; nor seen for ten

years; remain indelibly fixed on the memory。  〃Heisst du etwa

Rumpelstilzchen?〃  There sits the Queen on her throne; surrounded by

grinning beef…eaters; and little Rumpelstiltskin stamps his foot

through the floor in the excess of his tremendous despair。  In one

of these German tales; if we remember rightly; there is an account

of a little orphan who is carried away by a pitying fairy for a term

of seven years; and passing that period of sweet apprenticeship

among the imps and sprites of fairy…land。  Has our artist been among

the same company; and brought back their portraits in his sketch…

book?  He is the only designer fairy…land has had。  Callot's imps;

for all their strangeness; are only of the earth earthy。  Fuseli's

fairies belong to the infernal regions; they are monstrous; lurid;

and hideously melancholy。  Mr。 Cruikshank alone has had a true

insight into the character of the 〃little people。〃  They are

something like men and women; and yet not flesh and blood; they are

laughing and mischievous; but why we know not。  Mr。 Cruikshank;

however; has had some dream or the other; or else a natural

mysterious instinct (as the Seherinn of Prevorst had for beholding

ghosts); or else some preternatural fairy revelation; which has made

him acquainted with the looks and ways of the fantastical subjects

of Oberon and Titania。



We have; unfortunately; no fairy portraits; but; on the other hand;

can descend lower than fairy…land; and have seen some fine specimens

of devils。  One has already been raised; and the reader has seen him

tempting a fat Dutch burgomaster; in an ancient gloomy market…place;

such as George Cruikshank can draw as well as Mr。 Prout; Mr。 Nash;

or any man living。  There is our friend once more; our friend the

burgomaster; in a highly excited state; and running as hard as his

great legs will carry him; with our mutual enemy at his tail。



What are the bets; will that long…legged bondholder of a devil come

up with the honest Dutchman?  It serves him right: why did he put

his name to stamped paper?  And yet we should not wonder if some

lucky chance should turn up in the burgomaster's favor; and his

infernal creditor lose his labor; for one so proverbially cunning as

yonder tall individual with the saucer eyes; it must be confessed

that he has been very often outwitted。



There is; for instance; the case of 〃The Gentleman in Black;〃 which

has been illustrated by our artist。  A young French gentleman; by

name M。 Desonge; who; having expended his patrimony in a variety of

taverns and gaming…houses; was one day pondering upon the exhausted

state of his finances; and utterly at a loss to think how he should

provide means for future support; exclaimed; very naturally; 〃What

the devil shall I do?〃  He had no sooner spoken than a GENTLEMAN IN

BLACK made his appearance; whose authentic portrait Mr。 Cruikshank

has had the honor to paint。  This gentleman produced a black…edged

book out of a black bag; some black…edged papers tied up with black

crape; and sitting down familiarly opposite M。 Desonge; began

conversing with him on the state of his affairs。



It is needless to state what was the result of the interview。  M。

Desonge was induced by the gentleman to sign his name to one of the

black…edged papers; and found himself at the close of the

conversation to be possessed of an unlimited command of capital。

This arrangement completed; the Gentleman in Black posted (in an

extraordinarily rapid manner) from Paris to London; there found a

young English merchant in exactly the same situation in which M。

Desonge had been; and concluded a bargain with the Briton of exactly

the same nature。



The book goes on to relate how these young men spent the money so

miraculously handed over to them; and how both; when the period drew

near that was to witness the performance of THEIR part of the

bargain; grew melancholy; wretched; nay; so absolutely dishonorable

as to seek for every means of breaking through their agreement。  The

Englishman living in a country where the lawyers are more astute

than any other lawyers in the world; took the advice of a Mr。

Bagsby; of Lyon's Inn; whose name; as we c

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