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ringlets; Mr。 Cruikshank has a special predilection。  The tribe of

Israelites he has studied with amazing gusto; witness the Jew in Mr。

Ainsworth's 〃Jack Sheppard;〃 and the immortal Fagin of 〃Oliver

Twist。〃  Whereabouts lies the comic vis in these persons and things?

Why should a beadle be comic; and his opposite a charity boy?  Why

should a tall life…guardsman have something in him essentially

absurd?  Why are short breeches more ridiculous than long?  What is

there particularly jocose about a pump; and wherefore does a long

nose always provoke the beholder to laughter?  These points may be

metaphysically elucidated by those who list。  It is probable that

Mr。 Cruikshank could not give an accurate definition of that which

is ridiculous in these objects; but his instinct has told him that

fun lurks in them; and cold must be the heart that can pass by the

pantaloons of his charity boys; the Hessian boots of his dandies;

and the fan…tail hats of his dustmen; without respectful wonder。



He has made a complete little gallery of dustmen。  There is; in the

first place; the professional dustman; who; having in the

enthusiastic exercise of his delightful trade; laid hands upon

property not strictly his own; is pursued; we presume; by the right

owner; from whom he flies as fast as his crooked shanks will carry

him。



What a curious picture it isthe horrid rickety houses in some

dingy suburb of London; the grinning cobbler; the smothered butcher;

the very trees which are covered with dustit is fine to look at

the different expressions of the two interesting fugitives。  The

fiery charioteer who belabors the poor donkey has still a glance for

his brother on foot; on whom punishment is about to descend。  And

not a little curious is it to think of the creative power of the man

who has arranged this little tale of low life。  How logically it is

conducted; how cleverly each one of the accessories is made to

contribute to the effect of the whole。  What a deal of thought and

humor has the artist expended on this little block of wood; a large

picture might have been painted out of the very same materials;

which Mr。 Cruikshank; out of his wondrous fund of merriment and

observation; can afford to throw away upon a drawing not two inches

long。  From the practical dustmen we pass to those purely poetical。

There are three of them who rise on clouds of their own raising; the

very genii of the sack and shovel。



Is there no one to write a sonnet to these?and yet a whole poem

was written about Peter Bell the wagoner; a character by no means so

poetic。



And lastly; we have the dustman in love: the honest fellow having

seen a young beauty stepping out of a gin…shop on a Sunday morning;

is pressing eagerly his suit。



Gin has furnished many subjects to Mr。 Cruikshank; who labors in his

own sound and hearty way to teach his countrymen the dangers of that

drink。  In the 〃Sketch…Book〃 is a plate upon the subject; remarkable

for fancy and beauty of design; it is called the 〃Gin Juggernaut;〃

and represents a hideous moving palace; with a reeking still at the

roof and vast gin…barrels for wheels; under which unhappy millions

are crushed to death。  An immense black cloud of desolation covers

over the country through which the gin monster has passed; dimly

looming through the darkness whereof you see an agreeable prospect

of gibbets with men dangling; burnt houses; &c。  The vast cloud

comes sweeping on in the wake of this horrible body…crusher; and you

see; by way of contrast; a distant; smiling; sunshiny tract of old

English country; where gin as yet is not known。  The allegory is as

good; as earnest; and as fanciful as one of John Bunyan's; and we

have often fancied there was a similarity between the men。



The render will examine the work called 〃My Sketch…Book〃 with not a

little amusement; and may gather from it; as we fancy; a good deal

of information regarding the character of the individual man; George

Cruikshank: what points strike his eye as a painter; what move his

anger or admiration as a moralist; what classes he seems most

especially disposed to observe; and what to ridicule。  There are

quacks of all kinds; to whom he has a mortal hatred; quack dandies;

who assume under his pencil; perhaps in his eye; the most grotesque

appearance possibletheir hats grow larger; their legs infinitely

more crooked and lean; the tassels of their canes swell out to a

most preposterous size; the tails of their coats dwindle away; and

finish where coat…tails generally begin。  Let us lay a wager that

Cruikshank; a man of the people if ever there was one; heartily

hates and despises these supercilious; swaggering young gentlemen;

and his contempt is not a whit the less laudable because there may

be tant soit peu of prejudice in it。  It is right and wholesome to

scorn dandies; as Nelson said it was to hate Frenchmen; in which

sentiment (as we have before said) George Cruikshank undoubtedly

shares。  In the 〃Sunday in London;〃* Monsieur the Chef is instructing

a kitchen…maid how to compound some rascally French kickshaw or the

othera pretty scoundrel truly! with what an air he wears that

nightcap of his; and shrugs his lank shoulders; and chatters; and

ogles; and grins: they are all the same; these mounseers; there are

other two fellowsmorbleu! one is putting his dirty fingers into

the saucepan; there are frogs cooking in it; no doubt; and just over

some other dish of abomination; another dirty rascal is taking

snuff!  Never mind; the sauce won't be hurt by a few ingredients

more or less。  Three such fellows as these are not worth one

Englishman; that's clear。  There is one in the very midst of them;

the great burly fellow with the beef: he could beat all three in

five minutes。  We cannot be certain that such was the process going

on in Mr。 Cruikshank's mind when he made the design; but some

feelings of the sort were no doubt entertained by him。





* The following linesever freshby the author of 〃Headlong Hall;〃

published years ago in the Globe and Traveller; are an excellent

comment on several of the cuts from the 〃Sunday in London:〃



                   I。



    〃The poor man's sins are glaring;

     In the face of ghostly warning

       He is caught in the fact

       Of an overt act;

     Buying greens on Sunday morning。



                  II。



    〃The rich man's sins are hidden

     In the pomp of wealth and station;

       And escape the sight

       Of the children of light;

     Who are wise in their generation。



                 III。



    〃The rich man has a kitchen;

     And cooks to dress his dinner;

       The poor who would roast;

       To the baker's must post;

     And thus becomes a sinner。



                  IV。



    〃The rich man's painted windows

     Hide the concerts of the quality;

       The poor can but share

       A crack'd fiddle in the air;

     Which offends all sound morality。



                   V。



    〃The rich man has a cellar;

     And a ready butler by him;

       The poor must steer

       For his pint of beer

     Where the saint can't choose but spy him。



                  VI。



    〃This rich man is invisible

     In the crowd of his gay society;

       But the poor man's delight

       Is a sore in the sight

     And a stench in the nose of piety。〃





Against dandy footmen he is particularly severe。  He hates idlers;

pretenders; boasters; and punishes these fellows as best he may。

Who does not recollect the famous picture; 〃What IS taxes; Thomas?〃

What is taxes indeed; well may that vast; over…fed; lounging flunky

ask the question of his associate Thomas: and yet not well; for all

that Thomas says in reply is; 〃I DON'T KNOW。〃  〃O beati PLUSHICOLAE;〃

what a charming state of ignorance is yours!  In the 〃Sketch…Book〃

many footmen make their appearance: one is a huge fat Hercules of a

Portman Square porter; who calmly surveys another poor fellow; a

porter likewise; but out of livery; who comes staggering forward

with a box that Hercules might lift with his little finger。 Will

Hercules do so? not he。  The giant can carry nothing heavier than a

cocked…hat note on a silver tray; and his labors are to walk from

his sentry…box to the door; and from the door back to his sentry…box;

and to read the Sunday paper; and to poke the hall fire twice or

thrice; and to make five meals a day。  Such a fellow does Cruikshank

hate and scorn worse even than a Frenchman。



The man's master; too; comes in for no small share of our artist's

wrath。  There is a company of them at church; who humbly designate

themselves 〃miserable sinners!〃  Miserable sinners indeed!  Oh; what

floods of turtle…soup; what tons of turbot and lobster…sauce must

have been sacrificed to make those sinners properly miserable。  My

lady with the ermine tippet and draggling feather; can we no

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