all for love-第4节
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And is not this a wretched affectation; not to be contented with what fortune has done for them; and sit down quietly with their estates; but they must call their wits in question; and needlessly expose their nakedness to public view? Not considering that they are not to expect the same approbation from sober men; which they have found from their flatterers after the third bottle。 If a little glittering in discourse has passed them on us for witty men; where was the necessity of undeceiving the world? Would a man who has an ill title to an estate; but yet is in possession of it; would he bring it of his own accord; to be tried at Westminster? We who write; if we want the talent; yet have the excuse that we do it for a poor subsistence; but what can be urged in their defence; who; not having the vocation of poverty to scribble; out of mere wantonness take pains to make themselves ridiculous? Horace was certainly in the right; where he said; 〃That no man is satisfied with his own condition。〃 A poet is not pleased; because he is not rich; and the rich are discontented; because the poets will not admit them of their number。 Thus the case is hard with writers: If they succeed not; they must starve; and if they do; some malicious satire is prepared to level them; for daring to please without their leave。 But while they are so eager to destroy the fame of others; their ambition is manifest in their concernment; some poem of their own is to be produced; and the slaves are to be laid flat with their faces on the ground; that the monarch may appear in the greater majesty。
Dionysius and Nero had the same longings; but with all their power they could never bring their business well about。 'Tis true; they proclaimed themselves poets by sound of trumpet; and poets they were; upon pain of death to any man who durst call them otherwise。 The audience had a fine time on't; you may imagine; they sat in a bodily fear; and looked as demurely as they could: for it was a hanging matter to laugh unseasonably; and the tyrants were suspicious; as they had reason; that their subjects had them in the wind; so; every man; in his own defence; set as good a face upon the business as he could。 It was known beforehand that the monarchs were to be crowned laureates; but when the show was over; and an honest man was suffered to depart quietly; he took out his laughter which he had stifled; with a firm resolution never more to see an emperor's play; though he had been ten years a…making it。 In the meantime the true poets were they who made the best markets: for they had wit enough to yield the prize with a good grace; and not contend with him who had thirty legions。 They were sure to be rewarded; if they confessed themselves bad writers; and that was somewhat better than to be martyrs for their reputation。 Lucan's example was enough to teach them manners; and after he was put to death; for overcoming Nero; the emperor carried it without dispute for the best poet in his dominions。 No man was ambitious of that grinning honour; for if he heard the malicious trumpeter proclaiming his name before his betters; he knew there was but one way with him。 Maecenas took another course; and we know he was more than a great man; for he was witty too: But finding himself far gone in poetry; which Seneca assures us was not his talent; he thought it his best way to be well with Virgil and with Horace; that at least he might be a poet at the second hand; and we see how happily it has succeeded with him; for his own bad poetry is forgotten; and their panegyrics of him still remain。 But they who should be our patrons are for no such expensive ways to fame; they have much of the poetry of Maecenas; but little of his liberality。 They are for prosecuting Horace and Virgil; in the persons of their successors; for such is every man who has any part of their soul and fire; though in a less degree。 Some of their little zanies yet go further; for they are persecutors even of Horace himself; as far as they are able; by their ignorant and vile imitations of him; by making an unjust use of his authority; and turning his artillery against his friends。 But how would he disdain to be copied by such hands! I dare answer for him; he would be more uneasy in their company; than he was with Crispinus; their forefather; in the Holy Way; and would no more have allowed them a place amongst the critics; than he would Demetrius the mimic; and Tigellius the buffoon;
… Demetri; teque; Tigelli; Discipulorum inter jubeo plorare cathedras。
With what scorn would he look down on such miserable translators; who make doggerel of his Latin; mistake his meaning; misapply his censures; and often contradict their own? He is fixed as a landmark to set out the bounds of poetry
… Saxum antiquum; ingens; Limes agro positus; litem ut discerneret arvis。
But other arms than theirs; and other sinews are required; to raise the weight of such an author; and when they would toss him against enemies
Genua labant; gelidus concrevit frigore sanguis。 Tum lapis ipse viri; vacuum per inane volatus; Nec spatium evasit totum; nec pertulit ictum。
For my part; I would wish no other revenge; either for myself; or the rest of the poets; from this rhyming judge of the twelve…penny gallery; this legitimate son of Sternhold; than that he would subscribe his name to his censure; or (not to tax him beyond his learning) set his mark: For; should he own himself publicly; and come from behind the lion's skin; they whom he condemns would be thankful to him; they whom he praises would choose to be condemned; and the magistrates; whom he has elected; would modestly withdraw from their employment; to avoid the scandal of his nomination。 The sharpness of his satire; next to himself; falls most heavily on his friends; and they ought never to forgive him for commending them perpetually the wrong way; and sometimes by contraries。 If he have a friend; whose hastiness in writing is his greatest fault; Horace would have taught him to have minced the matter; and to have called it readiness of thought; and a flowing fancy; for friendship will allow a man to christen an imperfection by the name of some neighbour virtue
Vellem in amicitia sic erraremus; et isti Errori nomen virtus posuisset honestum。
But he would never allowed him to have called a slow man hasty; or a hasty writer a slow drudge; as Juvenal explains it
… Canibus pigris; scabieque vestusta Laevibus; et siccae lambentibus ora lucernae; Nomen erit; Pardus; Tigris; Leo; si quid adhuc est Quod fremit in terris violentius。
Yet Lucretius laughs at a foolish lover; even for excusing the imperfections of his mistress
Nigra est; immunda et foetida Balba loqui non quit; ; muta pudens est; etc。
But to drive it ad Aethiopem cygnum is not to be endured。 I leave him to interpret this by the benefit of his French version on the other side; and without further considering him; than I have the rest of my illiterate censors; whom I have disdained to answer; because they are not qualified for judges。 It remains that I acquiant the reader; that I have endeavoured in this play to follow the practice of the ancients; who; as Mr。 Rymer has judiciously observed; are and ought to be our masters。 Horace likewise gives it for a rule in his art of poetry
… Vos exemplaria Graeca Nocturna versate manu; versate diurna。
Yet; though their models are regular; they are too little for English tragedy; which requires to be built in a larger compass。 I could give an instance in the Oedipus Tyrannus; which was the masterpiece of Sophocles; but I reserve it for a more fit occasion; which I hope to have hereafter。 In my style; I have professed to imitate the divine Shakespeare; which that I might perform more freely; I have disencumbered myself from rhyme。 Not that I condemn my former way; but that this is more proper to my present purpose。 I hope I need not to explain myself; that I have not copied my author servilely: Words and phrases must of necessity receive a change in succeeding ages; but it is almost a miracle that much of his language remains so pure; and that he who began dramatic poetry amongst us; untaught by any; and as Ben Jonson tells us; without learning; should by the force of his own genius perform so much; that in a manner he has left no praise for any who come after him。 The occasion is fair; and the subject would be pleasant to handle the difference of styles betwixt him and Fletcher; and wherein; and how far they are both to be imitated。 But since I must not be over…confident of my own performance after him; it will be prudence in me to be silent。 Yet; I hope; I may affirm; and without vanity; that; by imitating him; I have excelled myself throughout the play; and particularly; that I prefer the scene betwixt Antony and Ventidius in the first act; to anything which I have written in this kind。
PROLOGUE
What flocks of critics hover here to…day; As vultures wait on armies for their prey; All gaping for the carcase of a play! With croaking notes they bode some dire event; And follow dying poets by the scent。 Ours gives himself