the alkahest-第3节
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climate and the effect of gases; whose pernicious breath threatens our
own health。
The cloudy skies and humid atmosphere of Flanders; and the shadows
produced by the narrowness of the street; sometimes diminished the
brilliancy which the old house derived from its cleanliness; moreover;
the very care bestowed upon it made it rather sad and chilling to the
eye。 A poet might have wished some leafage about the shrine; a little
moss in the crevices of the freestone; a break in the even courses of
the brick; he would have longed for a swallow to build her nest in the
red coping that roofed the arches of the windows。 The precise and
immaculate air of this facade; a little worn by perpetual rubbing;
gave the house a tone of severe propriety and estimable decency which
would have driven a romanticist out of the neighborhood; had he
happened to take lodgings over the way。
When a visitor had pulled the braided iron wire bell…cord which hung
from the top of the pilaster of the doorway; and the servant…woman;
coming from within; had admitted him through the side of the double…
door in which was a small grated loop…hole; that half of the door
escaped from her hand and swung back by its own weight with a solemn;
ponderous sound that echoed along the roof of a wide paved archway and
through the depths of the house; as though the door had been of iron。
This archway; painted to resemble marble; always clean and daily
sprinkled with fresh sand; led into a large court…yard paved with
smooth square stones of a greenish color。 On the left were the linen…
rooms; kitchens; and servants' hall; to the right; the wood…house;
coal…house; and offices; whose doors; walls; and windows were
decorated with designs kept exquisitely clean。 The daylight; threading
its way between four red walls chequered with white lines; caught rosy
tints and reflections which gave a mysterious grace and fantastic
appearance to faces; and even to trifling details。
A second house; exactly like the building on the street; and called in
Flanders the 〃back…quarter;〃 stood at the farther end of the court…
yard; and was used exclusively as the family dwelling。 The first room
on the ground…floor was a parlor; lighted by two windows on the court…
yard; and two more looking out upon a garden which was of the same
size as the house。 Two glass doors; placed exactly opposite to each
other; led at one end of the room to the garden; at the other to the
court…yard; and were in line with the archway and the street door; so
that a visitor entering the latter could see through to the greenery
which draped the lower end of the garden。 The front building; which
was reserved for receptions and the lodging…rooms of guests; held many
objects of art and accumulated wealth; but none of them equalled in
the eyes of a Claes; nor indeed in the judgment of a connoisseur; the
treasures contained in the parlor; where for over two centuries the
family life had glided on。
The Claes who died for the liberties of Ghent; and who might in these
days be thought a mere ordinary craftsman if the historian omitted to
say that he possessed over forty thousand silver marks; obtained by
the manufacture of sail…cloth for the all…powerful Venetian navy;
this Claes had a friend in the famous sculptor in wood; Van Huysum of
Bruges。 The artist had dipped many a time into the purse of the rich
craftsman。 Some time before the rebellion of the men of Ghent; Van
Huysum; grown rich himself; had secretly carved for his friend a wall…
decoration in ebony; representing the chief scenes in the life of Van
Artevelde;that brewer of Ghent who; for a brief hour; was King of
Flanders。 This wall…covering; of which there were no less than sixty
panels; contained about fourteen hundred principal figures; and was
held to be Van Huysum's masterpiece。 The officer appointed to guard
the burghers whom Charles V。 determined to hang when he re…entered his
native town; proposed; it is said; to Van Claes to let him escape if
he would give him Van Huysum's great work; but the weaver had already
despatched it to Douai。
The parlor; whose walls were entirely panelled with this carving;
which Van Huysum; out of regard for the martyr's memory; came to Douai
to frame in wood painted in lapis…lazuli with threads of gold; is
therefore the most complete work of this master; whose least carvings
now sell for nearly their weight in gold。 Hanging over the fire…place;
Van Claes the martyr; painted by Titian in his robes as president of
the Court of Parchons; still seemed the head of the family; who
venerated him as their greatest man。 The chimney…piece; originally in
stone with a very high mantle…shelf; had been made over in marble
during the last century; on it now stood an old clock and two
candlesticks with five twisted branches; in bad taste; but of solid
silver。 The four windows were draped by wide curtains of red damask
with a flowered black design; lined with white silk; the furniture;
covered with the same material; had been renovated in the time of
Louis XIV。 The floor; evidently modern; was laid in large squares of
white wood bordered with strips of oak。 The ceiling; formed of many
oval panels; in each of which Van Huysum had carved a grotesque mask;
had been respected and allowed to keep the brown tones of the native
Dutch oak。
In the four corners of this parlor were truncated columns; supporting
candelabra exactly like those on the mantle…shelf; and a round table
stood in the middle of the room。 Along the walls card…tables were
symmetrically placed。 On two gilded consoles with marble slabs there
stood; at the period when this history begins; two glass globes filled
with water; in which; above a bed of sand and shells; red and gold and
silver fish were swimming about。 The room was both brilliant and
sombre。 The ceiling necessarily absorbed the light and reflected none。
Although on the garden side all was bright and glowing; and the
sunshine danced upon the ebony carvings; the windows on the court…yard
admitted so little light that the gold threads in the lapis…lazuli
scarcely glittered on the opposite wall。 This parlor; which could be
gorgeous on a fine day; was usually; under the Flemish skies; filled
with soft shadows and melancholy russet tones; like those shed by the
sun on the tree…tops of the forests in autumn。
It is unnecessary to continue this description of the House of Claes;
in other parts of which many scenes of this history will occur: at
present; it is enough to make known its general arrangement。
CHAPTER II
Towards the end of August; 1812; on a Sunday evening after vespers; a
woman was sitting in a deep armchair placed before one of the windows
looking out upon the garden。 The sun's rays fell obliquely upon the
house and athwart the parlor; breaking into fantastic lights on the
carved panellings of the wall; and wrapping the woman in a crimson
halo projected through the damask curtains which draped the window。
Even an ordinary painter; had he sketched this woman at this
particular moment; would assuredly have produced a striking picture of
a head that was full of pain and melancholy。 The attitude of the body;
and that of the feet stretched out before her; showed the prostration
of one who loses consciousness of physical being in the concentration
of powers absorbed in a fixed idea: she was following its gleams in
the far future; just as sometimes on the shores of the sea; we gaze at
a ray of sunlight which pierces the clouds and draws a luminous line
to the horizon。
The hands of this woman hung nerveless outside the arms of her chair;
and her head; as if too heavy to hold up; lay back upon its cushions。
A dress of white cambric; very full and flowing; hindered any judgment
as to the proportions of her figure; and the bust was concealed by the
folds of a scarf crossed on the bosom and negligently knotted。 If the
light had not thrown into relief her face; which she seemed to show in
preference to the rest of her person; it would still have been
impossible to escape riveting the attention exclusively upon it。 Its
expression of stupefaction; which was cold and rigid despite hot tears
that were rolling from her eyes; would have struck the most
thoughtless mind。 Nothing is more terrible to behold than excessive
grief that is rarely allowed to break forth; of which traces were left
on this woman's face like lava congealed about a crater。 She might
have been a dying mother compelled to leave her children in abysmal
depths of wretchedness; unable to bequeath them to any human
protector。
The countenance of this lady; then about forty years of age and not
nearly so far from handsome as she had been in her youth; bore none of
the characteristics of a Flemish woman。 Her thick black hair fell in
heavy curls upon her shoulders and about her cheeks。 The forehead;
very prominent; and narrow at the temples; was yellow