the letters-2-第41节
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one) cannot so much as observe the existence of savage psychology
when it is put before it。 I am at bottom a psychologist and
ashamed of it; the tale seized me one…third because of its
picturesque features; two…thirds because of its astonishing
psychology; and the SPECTATOR says there's none。 I am going on
with a lot of island work; exulting in the knowledge of a new
world; 'a new created world' and new men; and I am sure my income
will DECLINE and FALL off; for the effort of comprehension is death
to the intelligent public; and sickness to the dull。
I do not know why I pester you with all this trash; above all as
you deserve nothing。 I give you my warm TALOFA ('my love to you;'
Samoan salutation)。 Write me again when the spirit moves you。 And
some day; if I still live; make out the trip again and let us hob…
a…nob with our grey pows on my verandah。 … Yours sincerely;
ROBERT LOUIS STEVENSON。
Letter: TO W。 CRAIBE ANGUS
VAILIMA; SAMOA; APRIL 1891。
DEAR MR。 ANGUS; … Surely I remember you! It was W。 C。 Murray who
made us acquainted; and we had a pleasant crack。 I see your poet
is not yet dead。 I remember even our talk … or you would not think
of trusting that invaluable JOLLY BEGGARS to the treacherous posts;
and the perils of the sea; and the carelessness of authors。 I love
the idea; but I could not bear the risk。 However …
'Hale be your heart; hale be your fiddle … '
it was kindly thought upon。
My interest in Burns is; as you suppose; perennial。 I would I
could be present at the exhibition; with the purpose of which I
heartily sympathise; but the NANCY has not waited in vain for me; I
have followed my chest; the anchor is weighed long ago; I have said
my last farewell to the hills and the heather and the lynns: like
Leyden; I have gone into far lands to die; not stayed like Burns to
mingle in the end with Scottish soil。 I shall not even return like
Scott for the last scene。 Burns Exhibitions are all over。 'Tis a
far cry to Lochow from tropical Vailima。
'But still our hearts are true; our hearts are Highland;
And we in dreams behold the Hebrides。'
When your hand is in; will you remember our poor Edinburgh Robin?
Burns alone has been just to his promise; follow Burns; he knew
best; he knew whence he drew fire … from the poor; white…faced;
drunken; vicious boy that raved himself to death in the Edinburgh
madhouse。 Surely there is more to be gleaned about Fergusson; and
surely it is high time the task was set about。 I way tell you
(because your poet is not dead) something of how I feel: we are
three Robins who have touched the Scots lyre this last century。
Well; the one is the world's; he did it; he came off; he is for
ever; but I and the other … ah! what bonds we have … born in the
same city; both sickly; both pestered; one nearly to madness; one
to the madhouse; with a damnatory creed; both seeing the stars and
the dawn; and wearing shoe…leather on the same ancient stones;
under the same pends; down the same closes; where our common
ancestors clashed in their armour; rusty or bright。 And the old
Robin; who was before Burns and the flood; died in his acute;
painful youth; and left the models of the great things that were to
come; and the new; who came after; outlived his greensickness; and
has faintly tried to parody the finished work。 If you will collect
the strays of Robin Fergusson; fish for material; collect any last
re…echoing of gossip; command me to do what you prefer … to write
the preface … to write the whole if you prefer: anything; so that
another monument (after Burns's) be set up to my unhappy
predecessor on the causey of Auld Reekie。 You will never know; nor
will any man; how deep this feeling is: I believe Fergusson lives
in me。 I do; but tell it not in Gath; every man has these fanciful
superstitions; coming; going; but yet enduring; only most men are
so wise (or the poet in them so dead) that they keep their follies
for themselves。 … I am; yours very truly;
ROBERT LOUIS STEVENSON。
Letter: TO EDMUND GOSSE
VAILIMA; APRIL 1891。
MY DEAR GOSSE; … I have to thank you and Mrs。 Gosse for many
mementoes; chiefly for your LIFE of your father。 There is a very
delicate task; very delicately done。 I noted one or two
carelessnesses; which I meant to point out to you for another
edition; but I find I lack the time; and you will remark them for
yourself against a new edition。 They were two; or perhaps three;
flabbinesses of style which (in your work) amazed me。 Am I right
in thinking you were a shade bored over the last chapters? or was
it my own fault that made me think them susceptible of a more
athletic compression? (The flabbinesses were not there; I think;
but in the more admirable part; where they showed the bigger。)
Take it all together; the book struck me as if you had been hurried
at the last; but particularly hurried over the proofs; and could
still spend a very profitable fortnight in earnest revision and
(towards the end) heroic compression。 The book; in design;
subject; and general execution; is well worth the extra trouble。
And even if I were wrong in thinking it specially wanted; it will
not be lost; for do we not know; in Flaubert's dread confession;
that 'prose is never done'? What a medium to work in; for a man
tired; perplexed among different aims and subjects; and spurred by
the immediate need of 'siller'! However; it's mine for what it's
worth; and it's one of yours; the devil take it; and you know; as
well as Flaubert; and as well as me; that it is NEVER DONE; in
other words; it is a torment of the pit; usually neglected by the
bards who (lucky beggars!) approached the Styx in measure。 I speak
bitterly at the moment; having just detected in myself the last
fatal symptom; three blank verses in succession … and I believe;
God help me; a hemistich at the tail of them; hence I have deposed
the labourer; come out of hell by my private trap; and now write to
you from my little place in purgatory。 But I prefer hell: would I
could always dig in those red coals … or else be at sea in a
schooner; bound for isles unvisited: to be on shore and not to
work is emptiness … suicidal vacancy。
I was the more interested in your LIFE of your father; because I
meditate one of mine; or rather of my family。 I have no such
materials as you; and (our objections already made) your attack
fills me with despair; it is direct and elegant; and your style is
always admirable to me … lenity; lucidity; usually a high strain of
breeding; an elegance that has a pleasant air of the accidental。
But beware of purple passages。 I wonder if you think as well of
your purple passages as I do of mine? I wonder if you think as ill
of mine as I do of yours? I wonder; I can tell you at least what
is wrong with yours … they are treated in the spirit of verse。 The
spirit … I don't mean the measure; I don't mean you fall into
bastard cadences; what I mean is that they seem vacant and smoothed
out; ironed; if you like。 And in a style which (like yours) aims
more and more successfully at the academic; one purple word is
already much; three … a whole phrase … is inadmissible。 Wed
yourself to a clean austerity: that is your force。 Wear a linen
ephod; splendidly candid。 Arrange its folds; but do not fasten it
with any brooch。 I swear to you; in your talking robes; there
should be no patch of adornment; and where the subject forces; let
it force you no further than it must; and be ready with a twinkle
of your pleasantry。 Yours is a fine tool; and I see so well how to
hold it; I wonder if you see how to hold mine? But then I am to
the neck in prose; and just now in the 'dark INTERSTYLAR cave;' all
methods and effects wooing me; myself in the midst impotent to
follow any。 I look for dawn presently; and a full flowing river of
expression; running whither it wills。 But these useless seasons;
above all; when a man MUST continue to spoil paper; are infinitely
weary。
We are in our house after a fashion; without furniture; 'tis true;
camping there; like the family after a sale。 But the bailiff has
not yet appeared; he will probably come after。 The place is
beautiful beyond dreams; some fifty miles of the Pacific spread in
front; deep woods all round; a mountain making in the sky a profile
of huge trees upon our left; about us; the little island of our
clearing; studded with brave old gentlemen (or ladies; or 'the twa
o' them') whom we have spared。 It is a good place to be in; night
and morning; we have Theodore Rousseaus (always a new one) hung to
amuse us on the walls of the world; and the moon … this is our good
season; we have a moon just now … makes the night a piece of
hea