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ontinent with Professor Meschines察who used to teach geology and botany at Yale College察when he and I were students there。  The professor had come over partly for the fun of the thing察and partly to look for specimens in the line of his profession。  My friend parted from him at San Francisco此the professor was going farther south。;

;What has all this to do with the woman who;

;It has this to do with itthat the professor is the woman  He is over sixty years old察and has always been a good friend of mine察but I am not going to marry him。  I am not engaged to him察he is not beautiful察nor even fascinating察except in the way of an elderly man of science。  And he is the only human being察besides yourself察that I know or have ever heard of on the Pacific coast。  Now for your apology 

Grace emitted a long breath察and sank back in her seat察with her hands clasped in her lap。  She raised her hands and covered her face with them。  She removed them察sat erect察and bent an open´eyed察intent gaze upon her companion。

After this pantomime察she exclaimed察in the lowest and most musical of tones察 Oh how hateful you are ─ Then she cried out with animation察 I believe you did it on purpose ─ Finally察she sank back again察with a soft laugh and sparkling eyes察at the same time stretching out her right arm towards him and placing her hand on his察with a whispered察 There察then 

Freeman察accepting the hand for the apology察kissed it察and continued to hold it afterwards。

;Am I not a little goose拭─she murmured。

;You certainly are察─replied Freeman。

;You mustn't hold my hand any more。;

;Do you mean to withdraw your apology拭

;Nno察but it doesn't follow that;

;Oh察yes察it does。  Besides察when a man receives such a delicate察refined察graceful察exquisite apology as this察here he lifted the hand察looked at it critically察and bestowed another kiss upon it察he would be a fool not to make the most of it。;

;Ah察I'm afraid you're dangerous。  You are well namedFreeman 

;My name is Harvey此won't you call me by it拭

;Oh察I can't 

;Try  Would it make it easier if I were to call you by yours拭

;Mine is Miss Parsloe。;

;Pooh  How can that be your name which you are going to change so soon拭 When I look at you察I see your name察when I think of you察I say it to myselfGrace 

;How do you know I am going to change my name soonor ever拭

;Whom are you talking to拭

;To youHarvey  Oh ─She snatched her hand away and pressed it over her lips。

;How do I know you are beautiful察Grace察andirresistible拭

;But I'm not  You're making fun of me  Besides察I'm twenty。;

;How many times have you been engaged拭

;Never。  Nobody wants to be engaged to a poor girl。  Oh me 

;Do you know what you are made of察Grace拭 Fire and flowers  Few men in the world are men enough to be a match for you。  But what have you been doing with yourself all this time拭 Why do you come to a place like this拭

;Maybe I had a presentiment that 。 。 。  What nonsense we are talking  But what you said reminds me。  It's the strangest coincidence 

;What is it拭

;Your Professor Meschines;

;On the contrary察he is a most matter´ of´fact old gentleman。;

;Do be quiet察and listen to me  When my mamma was a girl in school察there were two boys thereit was a boy´and´girls' schooland they were great friends。  But they both fell in love with my mamma;

;I can understand that察─put in Freeman。

;How do you know I am like my mamma拭 Well察as I was saying察they both fell in love with her察and quarrelled with each other察and had a fight。  The boy that won the fight is the man to whose house I am going。;

;Then he didn't marry your mamma拭

;Oh察no察that was only a childish affair察and she married another man。;

;The one who got thrashed拭

;Of course not。  But the one who got thrashed is your Professor Meschines。;

;I see  The poor old professor  And he has remained a bachelor all his life。;

;Mamma has often told me the story察and that the Trednoke boy went to West Point察and distinguished himself in the Mexican war察and married a Mexican woman察and the Meschines boy became a professor in Yale College。  And now I am going to see one of them察and you to see the other。  Isn't that a coincidence拭

;The first of a long series察I trust。  Is this West´Pointer a permanent settler here拭

;Yes察for ever so longtwenty years。  He's a widower察but he has a daughter  Oh察I know you'll fall in love with her 

;Is she like you拭

;I don't know。  I've never seen her察or General Trednoke either。;

;Come to think of it察though察nobody is like you察Grace。  Now察will you be so good as to apologize again拭

;Don't you think you're rather exacting察Harvey拭

However察the apology was finally repeated察and continued察more or less察during the rest of the voyage察and Grace quite forgot that she had never made Harvey tell what was really the cause of his coming to California。  But she察on her side察had a secret。  She never allowed him to suspect that the past eighteen months of her life had been passed as employee in a New York dry´ goods store。



CHAPTER III。

General Trednoke's house was built by Spanish missionaries in the sixteenth century察and in its main features it was little altered in three hundred years。  In a climate where there is no frost察walls of adobe last as long as granite。  The house consisted察practically察of but one story察for although there were rooms under the roof察they were used only for storage察no one slept in them。  The plan of the building was not unlike that of a train of railway´cars察or察it might be more appropriate to say察of emigrant´wagons。  There was a series of rooms察ranged in a line察access to them being had from a narrow corridor察which opened on the rear veranda。  Several of the rooms also communicated directly with each other察and察through low windows察gave on the veranda in front察for the house was merely a comparatively narrow array of apartments between two broad verandas察where most of the living察including much of the sleeping察was done。

Logically察there can be nothing uglier than a Spanish´American dwelling of this type。  But察as a matter of fact察they appear seductively beautiful。  The thick white walls acquire a certain softness of tone察the surface scales off here and there察and cracks and crevices appear。  In a damp country察like England察they would soon become covered with moss察but moss is not to be had in this region察though one were to offer for it the price of the silk velvet察triple ply察which so much resembles it。  Nevertheless察there are compensations。  The soil is inexhaustibly fertile察and its fertility expresses itself in the most inveterate beauty。  Such colors and varieties of flowers exist nowhere else察and they continue all the year round。  Climbing vines storm the walls察and toss their green ladders all over it察for beauty to walk up and down。  Huge jars察standing on the verandas察emit volcanoes of lovely blossoms察and vases swung from the roof drip and overflow with others察as if water had turned to flowers。  In the garden察which extends over several acres at the front of the house察and察as it were察makes it an island in a gorgeous sea of petals察there are roses察almonds察oranges察vines察pomegranates察and a hundred rivals whose names are unknown to the present historian察marching joyfully and triumphantly through the seasons察as the symphony moves through changes along its central theme。

Everything that is not an animal or a mineral seems to be a flower。  There are too many flowersor察rather察there is not enough of anything else。  The faculty of appreciation wearies察and at last ceases to take note。  It is like conversing with a person whose every word is an epigram。  The senses have their limitations察and imagination and expectation are half of beauty and delight察and the better half察otherwise we should have no souls。  A single violet察discovered by chance in the by´ways of an April forest in New England察gives a pleasure as poignant as察and more spiritual than察the miles upon miles of Californian splendors。

Monotony is the ruling characteristic察monotony of beauty察monotony of desolation察monotony even of variety。  The glorious blue overhead is monotonous此as for the thermometer察it paces up and down within the narrowest limits察like a prisoner in his cell察or a meadow´lark hopping to and fro in a seven´inch cage。  The plan and aspect of the buildings are monotonous察and so is the way of life of those who inhabit them。  Fortunately察the sun does rise and set in Southern California此otherwise life there would be at an absolute stand´still察with no past and no future。  But察as it is察one can look forward to morning察and remember the evening。

Then察there are the not infrequent but seldom very destructive earthquakes察the occasional cloud´bursts and tornadoes察sudden and violent as a gunpowder´explosion察and察finally察the astounding contrast between the fertile regions and the desert。  There are places where you can stand with one foot planted in everlasting sterility and the other in immortal verdure。  In the midst of an arid and hopeless waste察you come suddenly upon the brink of a narrow ravine察sharply defined as if cut out with an a

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