when the sleeper wakes-第7节
按键盘上方向键 ← 或 → 可快速上下翻页,按键盘上的 Enter 键可回到本书目录页,按键盘上方向键 ↑ 可回到本页顶部!
————未阅读完?加入书签已便下次继续阅读!
but in a different costume。 〃Or this;〃 and with a
click another small figure in a more voluminous type
of robe marched on to the dial。 The tailor was very
quick in his movements; and glanced twice towards
the lift as he did these things。
It rumbled again; and a crop…haired anaemic lad
with features of the Chinese type; clad in coarse
pale blue canvas; appeared together with a complicated
machine; which he pushed noiselessly on
little castors into the room。 Incontinently the little
kinetoscope was dropped; Graham was invited to
stand in front of the machine and the tailor
muttered some instructions to the crop…haired lad;
who answered in guttural tones and with words
Graham did not recognise。 The boy then went
to conduct an incomprehensible monologue in the
corner; and the tailor pulled out a number of slotted
arms terminating in little discs; pulling them out until
the discs were flat against the body of Graham; one
at each shoulder blade; one at the elbows; one at the
neck and so forth; so that at last there were; perhaps;
two score of them upon his body and limbs。 At the
same time; some other person entered the room by the
lift; behind Graham。 The tailor set moving a mechanism
that initiated a faint…sounding rhythmic movement
of parts in the machine; and in another moment he was
knocking up the levers and Graham was released。 The
tailor replaced his cloak of black; and the man with
the flaxen beard proffered him a little glass of some
refreshing fluid。 Graham saw over the rim of the
glass a pale…faced young man regarding him with a
singular fixity。
The thickset man had been pacing the room fretfully;
and now turned and went through the archway
towards the balcony; from which the noise of a distant
crowd still came in gusts and cadences。 The cropheaded
lad handed the tailor a roll of the bluish satin
and the two began fixing this in the mechanism in a
manner reminiscent of a roll of paper in a nineteenth
century printing machine。 Then they ran the entire
thing on its easy; noiseless bearings across the room
to a remote corner where a twisted cable looped rather
gracefully from the wall。 They made some connexion
and the machine became energetic and swift。
〃What is that doing?〃 asked Graham; pointing
with the empty glass to the busy figures and trying
to ignore the scrutiny of the new comer。 〃 Is that
some sort of forcelaid on? 〃
〃Yes;〃 said the man with the flaxen beard。
〃Who is that?〃 He indicated the archway behind
him。
The man in purple stroked his little beard; hesitated;
and answered in an undertone; 〃He is Howard; your
chief guardian。 You see; Sire;it's a little difficult
to explain。 The Council appoints a guardian and
assistants。 This hall has under certain restrictions
been public。 In order that people might satisfy themselves。
We have barred the doorways for the first
time。 But I thinkif you don't mind; I will leave
him to explain。〃
〃Odd〃 said Graham。 〃 Guardian? Council?〃
Then turning his back on the new comer; he asked
in an undertone; 〃Why is this man glaring at me?
Is he a mesmerist? 〃
〃Mesmerist! He is a capillotomist。〃
〃Capillotomist!〃
〃Yesone of the chief。 His yearly fee is sixdoz
lions。〃
It sounded sheer nonsense。 Graham snatched at
the last phrase with an unsteady mind。 〃Sixdoz
lions?〃 he said。
〃Didn't you have lions? I suppose not。 You had
the old pounds? They are our monetary units。〃
〃But what was that you saidsixdoz? 〃
〃Yes。 Six dozen; Sire。 Of course things; even
these little things; have altered。 You lived in the days
of the decimal system; the Arab systemtens; and
little hundreds and thousands。 We have eleven
numerals now。 We have single figures for both ten
and eleven; two figures for a dozen; and a dozen dozen
makes a gross; a great hundred; you know; a dozen
gross a dozand; and a dozand dozand a myriad。 Very
simple?〃
〃I suppose so;〃 said Graham。 〃But about this
capwhat was it? 〃
The man with the flaxen beard glanced over his
shoulder。
〃Here are your clothes!〃 he said。 Graham turned
round sharply and saw the tailor standing at his elbow
smiling; and holding some palpably new garments over
his arm。 The crop…headed boy; by means of one
finger; was impelling the complicated machine towards
the lift by which he had arrived。 Graham stared at
the completed suit。 〃You don't mean to say!〃
〃Just made;〃 said the tailor。 He dropped the garments
at the feet of Graham; walked to the bed on
which Graham had so recently been Iying; flung out
the translucent mattress; and turned up the looking
glass。 As he did so a furious bell summoned the
thickset man to the corner。 The man with the flaxen
beard rushed across to him and then hurried out by
the archway。
The tailor was assisting Graham into a dark purple
combination garment; stockings; vest; and pants in
one; as the thickset man came back from the corner
to meet the man with the flaxen beard returning from
the balcony。 They began speaking quickly in an
undertone; their bearing had an unmistakable quality
of anxiety。 Over the purple under…garment came a I
complex but graceful garment of bluish white; and I
Graham was clothed in the fashion once more and saw
himself; sallow…faced; unshaven and shaggy still; but
at least naked no longer; and in some indefinable
unprecedented way graceful。
〃I must shave;〃 he said regarding himself in the
glass。
〃In a moment;〃 said Howard。
The persistent stare ceased。 The young man closed
his eyes; reopened them; and with a lean hand
extended; advanced on Graham。 Then he stopped;
with his hand slowly gesticulating; and looked about
him。
〃A seat;〃 said Howard impatiently; and in a moment
the flaxen…bearded man had a chair behind Graham。
〃Sit down; please;〃 said Howard。
Graham hesitated; and in the other hand of the wildeyed
man he saw the glint of steel。
〃Don't you understand; Sire?〃 cried the flaxen…bearded
man with hurried politeness。 〃He is going
to cut your hair。〃
〃Oh!〃 cried Graham enlightened。 〃But you
called him
〃A capillotomistprecisely ! He is one of the
finest artists in the world。〃
Graham sat down abruptly。 The flaxen…bearded
man disappeared。 The capillotomist came forward
with graceful gestures; examined Graham's ears and
surveyed him; felt the back of his head; and would
have sat down again to regard him but for Howard's
audible impatience。 Forthwith with rapid movements
and a succession of deftly handled implements he
shaved Graham's chin; clipped his moustache; and cut
and arranged his hair。 All this he did without a word;
with something of the rapt air of a poet inspired。 And
as soon as he had finished Graham was handed a pair
of shoes。
Suddenly a loud voice shoutedit seemed from a
piece of machinery in the corner〃At onceat
once。 The people know all over the city。 Work is
being stopped。 Work is being stopped。 Wait for
nothing; but come。〃
This shout appeared to perturb Howard exceedingly。
By his gestures it seemed to Graham that he
hesitated between two directions。 Abruptly he went
towards the corner where the apparatus stood about
the little crystal ball。 As he did so the undertone of
tumultuous shouting from the archway that had continued
during all these occurrences rose to a mighty
sound; roared as if it were sweeping past; and fell
again as if receding swiftly。 It drew Graham after it
with an irresistible attraction。 He glanced at the
thickset man; and then obeyed his impulse。 In two
strides he was down the steps and in the passage; and;
in a score he was out upon the balcony upon which |
the three men had been standing。
CHAPTER V
THE MOVING WAYS
He went to the railings of the balcony and stared
upward。 An exclamation of surprise at his appearance;
and the movements of a number of people came
from the spacious area below。
His first impression was of overwhelming architecture。
The place into which he looked was an aisle of
Titanic buildings; curving spaciously in either direction。
Overhead mighty cantilevers sprang together
across the huge width of the place; and a tracery of
translucent material shut out the sky。 Gigantic
globes of cool white light shamed the pale sunbeams
that filtered down through the girders and wires。
Here and there a gossamer suspension bridge dotted
with foot passengers flung across the chasm and the
air was webbed with slender cables。 A cliff of edifice
hung above him; he perceived as he glanced upward;
and the opposite facade was grey and dim and broken
by great archings; circular perforations; balconies;
buttresses; turret projections; myriads of vast windows;
and an intricate scheme of architectural relief。
Athwart these ran inscriptions horizontally and
obliquely in an unfamiliar lettering。 Here and ther