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heretics-第6节

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We think a pillar…box unpoetical; because we have never seen it



in a poem。  But the bold fact is entirely on the side of poetry。



A signal…box is only called a signal…box; it is a house of life and death。



A pillar…box is only called a pillar…box; it is a sanctuary of



human words。  If you think the name of 〃Smith〃 prosaic; it is not



because you are practical and sensible; it is because you are too much



affected with literary refinements。  The name shouts poetry at you。



If you think of it otherwise; it is because you are steeped and



sodden with verbal reminiscences; because you remember everything



in Punch or Comic Cuts about Mr。 Smith being drunk or Mr。 Smith



being henpecked。  All these things were given to you poetical。



It is only by a long and elaborate process of literary effort



that you have made them prosaic。







Now; the first and fairest thing to say about Rudyard Kipling



is that he has borne a brilliant part in thus recovering the lost



provinces of poetry。  He has not been frightened by that brutal



materialistic air which clings only to words; he has pierced through



to the romantic; imaginative matter of the things themselves。



He has perceived the significance and philosophy of steam and of slang。



Steam may be; if you like; a dirty by…product of science。



Slang may be; if you like; a dirty by…product of language。



But at least he has been among the few who saw the divine parentage of



these things; and knew that where there is smoke there is firethat is;



that wherever there is the foulest of things; there also is the purest。



Above all; he has had something to say; a definite view of things to utter;



and that always means that a man is fearless and faces everything。



For the moment we have a view of the universe; we possess it。







Now; the message of Rudyard Kipling; that upon which he has



really concentrated; is the only thing worth worrying about



in him or in any other man。  He has often written bad poetry;



like Wordsworth。  He has often said silly things; like Plato。



He has often given way to mere political hysteria; like Gladstone。



But no one can reasonably doubt that he means steadily and sincerely



to say something; and the only serious question is; What is that



which he has tried to say?  Perhaps the best way of stating this



fairly will be to begin with that element which has been most insisted



by himself and by his opponentsI mean his interest in militarism。



But when we are seeking for the real merits of a man it is unwise



to go to his enemies; and much more foolish to go to himself。







Now; Mr。 Kipling is certainly wrong in his worship of militarism;



but his opponents are; generally speaking; quite as wrong as he。



The evil of militarism is not that it shows certain men to be fierce



and haughty and excessively warlike。  The evil of militarism is that it



shows most men to be tame and timid and excessively peaceable。



The professional soldier gains more and more power as the general



courage of a community declines。  Thus the Pretorian guard became



more and more important in Rome as Rome became more and more



luxurious and feeble。  The military man gains the civil power



in proportion as the civilian loses the military virtues。



And as it was in ancient Rome so it is in contemporary Europe。



There never was a time when nations were more militarist。



There never was a time when men were less brave。  All ages and all epics



have sung of arms and the man; but we have effected simultaneously



the deterioration of the man and the fantastic perfection of the arms。



Militarism demonstrated the decadence of Rome; and it demonstrates



the decadence of Prussia。







And unconsciously Mr。 Kipling has proved this; and proved it admirably。



For in so far as his work is earnestly understood the military trade



does not by any means emerge as the most important or attractive。



He has not written so well about soldiers as he has about



railway men or bridge builders; or even journalists。



The fact is that what attracts Mr。 Kipling to militarism



is not the idea of courage; but the idea of discipline。



There was far more courage to the square mile in the Middle Ages;



when no king had a standing army; but every man had a bow or sword。



But the fascination of the standing army upon Mr。 Kipling is



not courage; which scarcely interests him; but discipline; which is;



when all is said and done; his primary theme。  The modern army



is not a miracle of courage; it has not enough opportunities;



owing to the cowardice of everybody else。  But it is really



a miracle of organization; and that is the truly Kiplingite ideal。



Kipling's subject is not that valour which properly belongs to war;



but that interdependence and efficiency which belongs quite



as much to engineers; or sailors; or mules; or railway engines。



And thus it is that when he writes of engineers; or sailors;



or mules; or steam…engines; he writes at his best。  The real poetry;



the 〃true romance〃 which Mr。 Kipling has taught; is the romance



of the division of labour and the discipline of all the trades。



He sings the arts of peace much more accurately than the arts of war。



And his main contention is vital and valuable。  Every thing is military



in the sense that everything depends upon obedience。  There is no



perfectly epicurean corner; there is no perfectly irresponsible place。



Everywhere men have made the way for us with sweat and submission。



We may fling ourselves into a hammock in a fit of divine carelessness。



But we are glad that the net…maker did not make the hammock in a fit of



divine carelessness。  We may jump upon a child's rocking…horse for a joke。



But we are glad that the carpenter did not leave the legs of it



unglued for a joke。  So far from having merely preached that a soldier



cleaning his side…arm is to be adored because he is military;



Kipling at his best and clearest has preached that the baker baking



loaves and the tailor cutting coats is as military as anybody。







Being devoted to this multitudinous vision of duty; Mr。 Kipling



is naturally a cosmopolitan。  He happens to find his examples



in the British Empire; but almost any other empire would



do as well; or; indeed; any other highly civilized country。



That which he admires in the British army he would find even more



apparent in the German army; that which he desires in the British



police he would find flourishing; in the French police。



The ideal of discipline is not the whole of life; but it is spread



over the whole of the world。  And the worship of it tends to confirm



in Mr。 Kipling a certain note of worldly wisdom; of the experience



of the wanderer; which is one of the genuine charms of his best work。







The great gap in his mind is what may be roughly called the lack



of patriotismthat is to say; he lacks altogether the faculty of attaching



himself to any cause or community finally and tragically; for all



finality must be tragic。  He admires England; but he does not love her;



for we admire things with reasons; but love them without reasons。



He admires England because she is strong; not because she is English。



There is no harshness in saying this; for; to do him justice; he avows



it with his usual picturesque candour。  In a very interesting poem;



he says that







  〃If England was what England seems〃







that is; weak and inefficient; if England were not what (as he believes)



she isthat is; powerful and practical







  〃How quick we'd chuck 'er! But she ain't!〃







He admits; that is; that his devotion is the result of a criticism;



and this is quite enough to put it in another category altogether from



the patriotism of the Boers; whom he hounded down in South Africa。



In speaking of the really patriotic peoples; such as the Irish; he has



some difficulty in keeping a shrill irritation out of his language。



The frame of mind which he really describes with beauty and



nobility is the frame of mind of the cosmopolitan man who has seen



men and cities。







  〃For to admire and for to see;



   For to be'old this world so wide。〃







He is a perfect master of that light melancholy with which a man



looks back on having been the citizen of many communities;



of that light melancholy with which a man looks back on having been



the lover of many women。  He is the philanderer of the nations。



But a man may have learnt much about women in flirtations;



and still be ignorant of first love; a man may have known as many



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