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第123节

04道德经英译本85种-第123节

小说: 04道德经英译本85种 字数: 每页4000字

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  But the problem is that ego tends to wander。

  The Cosmic Way is straight and easy;
  But people seem compelled
  By distraction and complexity。

  The palace in the capital
  Is bathed in opulence;
  While the fields without lie barren;
  And the granary is left untended。

  They array themselves in lustrous gowns
  And gleaming weapons at their sides。
  They eat; but are not nourished;
  They drink; yet thirst consumes them。
  Their lives are bloated with the stuff of wealth。

  Extravagance is a thief;
  The true self is its victim:
  Is this the way of Tao?
  I doubt it。 
  One who follows the Tao is ready to explore his entire being; in all its depth and variety。 But one who treads the stark road of ego becomes trapped in side…paths and dead…ends that close off understanding in a cycle of want; frustration; and unceasing effort。 The more you grasp for; the more you obtain; the more you obtain; the more you feel you need; and the more your true self is taken from you: thus; 〃extravagance is a thief。〃

  Lao Tzu uses the final stanza to create a play on words; which cannot be exactly reproduced in English。 He uses the word 〃tao;〃 which means 〃thief; robber〃 to say that extravagance is a 〃tao〃 which robs one of Tao。 For this version; I decided to simply insert a slightly different word…play in the closing couplet; again on the word Tao (pronounced 〃dow〃); so that the answer to Lao Tzu's rhetorical question; 〃is this the way of Tao?〃 is; 〃I dow…ed it。〃 The point of this is not merely to copy Lao Tzu's pun; nor to make the reader laugh (after all; any joke that has to be explained never was a joke); but rather to show that Lao Tzu was not a self…conscious or moralistic thinker。 Even when he has a serious point to make; as he does here; he does it without bombast or moral assault。
  54

  With a firm inner foundation;
  You cannot be toppled。
  An embrace is all the grasp you need
  To be safe within。

  An offering of simple honor;
  From the children of the past
  To the children of the present
  Supports the children of the future。

  Why do you cultivate your image
  When your natural being is already full?
  Why aggrandize your family pride
  When the perfection of family is complete?
  Why meddle with your community
  When its natural form is imperishable?
  Why do you fight to enrich your nation
  When its simple order is abundance?
  Why divide and oppose earth and heaven
  When the purity of their union is unalterable?

  Therefore; examine yourself
  To become your Self。
  Examine your home
  To become a family。
  Examine your village
  To become a community。
  Examine the state
  To become a nation。
  Examine the world
  To become one with Being。

  How do I know
  That this is the way of Nature?
  Because I asked It;
  From within my deepest self。

  55

  One whose inner strength is full and clear
  Seems like one who抯 just arrived
  From another world。

  To him; the bee has no sting;
  The serpent; no venom。
  To him; the wild beasts
  Have no teeth or claws。
  To him; predatory birds
  Present no menace。

  His skeleton seems weak;
  His muscles tender;
  Yet he抯 got a grip like a vise。
  He appears to lack experience
  In the dance of sexual relations…
  Yet his genitals are fully formed;
  And he knows how to use them。

  People yell every day;
  Never seeming to get hoarse。
  But his peace is unshakeable…
  Its source is the Enduring Harmony。
  Knowing the eternal is called
  The subtle illumination。
  Thus is his body抯 life
  The only blessing he needs。

  So how could we speak
  Of controlling the mind;
  Or directing chi to further violence?

  The pursuit of power soon exhausts itself:
  Such strength is not from Tao。
  Whatever is not from Tao
  Is already dead。 
  Here the poet imagines a being who has just arrived from another world; and how such a one may be entirely unconscious of the fears and pretences of humans。 In this he finds a metaphor for the follower of Tao who has developed; or rather revealed; his true inner self。 We are reminded of the stark imagery of Chapter 20; where the contrast is drawn between himself and the followers of the collective。 There we met the poet himself梬eak; naive; strange; dull; and separate梔ivorced from the world of purchase and competition; of power and control; of pursuit and its incipient fear。 For himself; Lao Tzu can only explain that he is indeed different; for he 〃drinks from the breast of the Sublime Mother。〃 

  Then; here in Chapter 55; the 〃alien〃 metaphor is even more vividly raised; so that it is almost reified: the subject of this poem is one who simply has no inner discourse with the values and fears of the collective; yet the positive bounty that comes of that separation is made clear。 This person is strong; sexually able and (presumably) active; secure in the consciousness that 〃his body's life is the only blessing he needs。〃 He has no need of new age gimmicks梞ind control; self…improvement; or the nurturing of physical power through the manipulation of the life force within him。 This person has all he needs in his physical being and its freedom from the constraints and self…conscious fears bred by ideologies and systems of religion or other forms of group belief。 This; indeed; is his 〃subtle illumination〃: he is beyond the fixation with appearances; his understanding reaches past collective perception; past the pursuit of power; beyond intellect and deep into the realm of his feeling nature。

  One note on translation must be added; since this rendering departs significantly from traditional texts; where the phrase chih tzu is taken to symbolize the follower of Tao as an infant or baby。 I was guided to see that phrase as a compound that actually entails a play on words with Lao Tzu's own name (the same character can mean both 〃baby〃 and 〃philosopher〃); the meaning of the whole being 〃one who is newly arrived。〃 From there; it was no great stretch of imagination to see that the poet was thinking of a person or being who had appeared on earth from another world。 This image seems to better resonate with the descriptions that follow it; and to emphasize the unique inner separation discussed above。 It also places an appropriate context on the line chung jih hao erh pu sha; which is normally taken to refer to the baby that cries all day without getting hoarse。 Clearly; Lao Tzu would not wish for us to draw such a comparison between a wailing infant and one who is said (in the very next line) to possess an 〃unshakeable peace。〃 Indeed; there is no subject specified for whoever is crying or yelling; I found that it made the most inner sense as a comparison between the noise of the collective and the peace of the one in harmony with himself and his Origin。
  56

  Understanding doesn抰 talk a lot;
  A lot of talk lacks understanding。

  Can you be guided by silence?
  Can you shut down your outer senses?

  Can you blunt your jagged edges?
  Can you let the inner knots unravel?
  Can you let your brilliance be dimmed?
  Can you merge with the dust of the earth?

  This is called 揾armonizing light and dark。?br》 In this; you possess no one;
  But are loved by many。
  You are equally immune
  To attraction and revulsion。
  You are equally receptive
  To profit and to loss。

  You are unmoved by fame;
  And yet you attract honor。
  Because you make no claim;
  You can be free of disgrace。

  Thus are you lovingly received
  Into the Heart of Nature;
  Forever。 
  One of the wonders of this little book of poems is how Lao Tzu was able to hammer so lightly at the same themes; and with such delightful variation in expression; so that each repetition is fresh and uniquely nourishing。 The themes here presented should be quite familiar by now to one who has read the poems in order to this point: the intrinsic value of dispersing excess in speech and action; the fulfillment that comes of dimming down the outer senses and turning within toward one's feeling nature; the deep love that is drawn to one who abandons claim and possession on others; and the natural grace that arises in one who is 〃unmoved by fame。〃 

  In many traditional renderings of this verse; it is presented as a teaching on sitting meditation: be quiet; close off your senses; be soft and still as you settle your inner dust。 This is a very good approach; but perhaps only to half the poem; as it were。 I have been guided to see this verse as Lao Tzu's teaching on living as meditation: how the inner values and practices that we usually think of as meditation (sitting down and being open; still and silent) can become a way of life。 After all; meditation that is not continued into life has nothing of value over an afternoon nap。 

  I think that Lao Tzu would like us to learn to disperse the division between the practice of meditation and the activity of daily living。 Meditation is not properly a means of escape or relaxation from the rat race beyond the chai

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