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第8节

helen of troy and other poems-第8节

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 Oh do not climb so fast; for I am faint

 With looking down the tower to where the earth

 Lies dreaming in the sun。  I fear to fall。



The Knight (unseen)。

 Lean on me; love; my love; and look not down。



L。

 Call me not 〃love〃; call me your conquered foe;

 That now; since you have battered down her gates;

 Gives you the keys that lock the highest tower

 And mounts with you to prove her homage true;

 Oh bid me go no farther lest I fall;

 My foot has slipped upon the rain…worn stones;

 Why are the stairs so narrow and so steep?

 Let us go back; my lord。



K。

                           Are you afraid;

 Who were so dauntless till the walls gave way?

 Courage; my sweet。  I would that I could climb

 A thousand times by wind…swept stairs like these;

 That lead so near to heaven。



L。

                              Sir; you may;

 You are a knight and very valorous;

 I am a woman。  I shall never come

 This way but once。

 (The Knight and the Lady appear on the top of the tower。)



K。

                     Kiss me at last; my love。



L。

 Oh; my sweet lord; I am too tired to kiss。

 Look how the earth is like an emerald;

 With rivers veined and flawed with fallow fields。



K。  (Lifting her veil)

 Then I kiss you; a thousand thousand kisses

 For all the days ere I had won to you

 Beyond the walls and gates you barred so close。

 Call me at last your love; your castle's lord。



L。  (After a pause)

 I love you。



 (She kisses him。  Her veil blows away like a white butterfly

 over the parapet。  Faint cries and laughter from men and women

 under the tower。)



Men and Women。

 The veil; the lady's veil!



 (The knight takes the lady in his arms。)



L。

 My lord; I pray you loose me from your arms

 Lest that my people see how much we love。



K。

 May they not see us?  All of them have loved。



L。

 But you have been an enemy; my lord;

 With walls between us and with moss…grown moats;

 Now on a sudden must I kiss your mouth?

 I who was taught before I learned to speak

 That all my house was hostile unto yours;

 Now can I put my head against your breast

 Here in the sight of all who choose to come?



K。

 Are we not past the caring for their eyes

 And nearer to the heaven than to earth?

 Look up and see。



L。

                   I only see your face。



 (She touches his hair with her hands。  Murmuring under the tower。)



K。

 Why came we here in all the noon…day light

 With only darting swallows over us

 To make a speck of darkness on the sun?

 Let us go down where walls will shut us round。

 Your castle has a hundred quiet halls;

 A hundred chambers; where the shadows lie

 On things put by; forgotten long ago。

 Forgotten lutes with strings that Time has slackened;

 We two shall draw them close and bid them sing 

 Forgotten games; forgotten books still open

 Where you had laid them by at vesper…time;

 And your embroidery; whereon half…worked

 Weeps Amor wounded by a rose's thorn。

 Shall I not see the room in which you slept;

 Palpitant still and breathing of your thoughts;

 Where maiden dreams adown the ways of sleep

 Swept noiselessly with damosels and knights

 To tourneys where the trumpet made no sound;

 Blow as he might; the scarlet trumpeter;

 And were the dreams not sometimes brimmed with tears

 That waked you when the night was loneliest?

 Will you not bring me to your oratory

 Where prayers arose like little birds set free

 Still upward; upward without sound of flight?

 Shall I not find your turrets toward the north;

 Where you defied white winter armed for war;

 Your southern casements where the sun blows in

 Between the leaf…bent boughs the wind has lifted?

 Shall we not see the sunrise toward the east;

 Watch dawn by dawn the rose of day unfolding

 Its golden…hearted beauty sovereignly;

 And toward the west look quietly at evening?

 Shall I not see all these and all your treasures?

 In carven coffers hidden in the dark

 Have you not laid a sapphire lit with flame

 And amethysts set round with deep…wrought gold;

 Perhaps a ruby?



L。

                  All my gems are yours

 And all my chambers curtained from the sun。

 My lord shall see them all; in time; in time。





 (The sun begins to sink。)



K。

 Shall I not see them now?  To…day; to…night?



L。

 How could I show you in one day; my lord;

 My castle and my treasures and my tower?

 Let all the days to come suffice for this

 Since all the past days made them what they are。

 You will not be impatient; my sweet lord。

 Some of the halls have long been locked and barred;

 And some have secret doors and hard to find

 Till suddenly you touch them unawares;

 And down a sable way runs silver light。

 We two will search together for the keys;

 But not to…day。  Let us sit here to…day;

 Since all is yours and always will be yours。



 (The stars appear faintly one by one。)



K。  (After a pause。)

 I grow a little drowsy with the dusk。



L。  (Singing。)

    There was a man that loved a maid;

    (Sleep and take your rest)

    Over her lips his kiss was laid;

    Over her heart; his breast。



 (The knight sleeps。)



    All of his vows were sweet to hear;

    Sweet was his kiss to take;

    Why was her breast so quick to fear;

    Why was her heart; to break?



    Why was the man so glad to woo?

    (Sleep and take your rest)

    Why were the maiden's words so few 



 (She sees that he is asleep; and slipping off her long cloak…like

 outer garment; she pillows his head upon it against the parapet;

 and half kneeling at his feet she sings very softly:)



    I love you; I love you; I love you;

    I am the flower at your feet;

    The birds and the stars are above you;

    My place is more sweet。



    The birds and the stars are above you;

    They envy the flower in the grass;

    For I; only I; while I love you

    Can die as you pass。



 (Light clouds veil the stars; growing denser constantly。

 The castle bell rings for vespers; and rising; the lady moves

 to a corner of the parapet and kneels there。)



L。

 Ave Maria! gratia plena; Dominus 



Voice of the Page (from the foot of the tower。)

 My lord; my lord; they call for you at court!



 (The knight wakes。  It is now quite dark。)



 There is a tourney toward; your enemy

 Has challenged you。  My lord; make haste to come!



 (The knight rises and gropes his way toward the stairs。)



K。

 I will make haste。  Await me where you are。



 (To himself。)

 There was a lady on this tower with me 



 (He glances around hurriedly but does not see her in the darkness。)



Page。

 My lord has far to ride before the dawn!



K。  (To himself。)

 Why should I tarry?



 (To the page。)

 Bring my horse and shield!



 (He descends。  As the noise of his footfall on the stairs dies away;

 the lady gropes toward the stairway; then turns suddenly; and going to

 the ledge where they have sat; she throws herself over the parapet。)





CURTAIN。













'End of Helen of Troy And Other Poems。'













Sara Teasdale



Sara Teasdale was born in St。 Louis; Missouri; where she attended a school

that was founded by the grandfather of another great poet from St。 Louis 

T。 S。 Eliot。  She later associated herself more with New York City。

Her first book of poems was 〃Sonnets to Duse〃 (1907);

but 〃Helen of Troy〃 (1911) was the true launch of her career;

followed by 〃Rivers to the Sea〃 (1915); 〃Love Songs〃 (1917);

〃Flame and Shadow〃 (1920) and more。  Her final volume; 〃Strange Victory〃;

is considered by many to be predictive of her suicide。



It is interesting to note that in Teasdale's Collected Works;

about half of the poems in this volume  some more justly than others 

have been excluded; and most of the rest have been slightly changed。

Most of the poems from this volume which were selected to be included

in 〃Love Songs〃 also had some minor changes。  This edition preserves

the original readings; but they are not to be considered authoritative。













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